Real-life superhero movement growing, but not getting warm reception from police

Originally posted:

When Seattle-based masked crusader Phoenix Jones was arrested last week for pepper spraying a group of people he claims were fighting, he piqued the curiosity of thousands across the nation. A real-life superhero? Stopping crime in the dark of night? Suit, boots, mask and all?
It turns out Jones isn’t the only ordinary guy whose nighttime is filled with crime-fighting, caped adventures. The Web site RealLifeSuperheroes.orgboasts 720 members. Posts on the site suggest there are dozens, if not hundreds, of real-life superheroes currently in action in St. Petersburg, Fla., New York City and Milwaukee, among other cities.
But though these superheroes have attracted thousands of adoring fans, city cops don’t count themselves among them.
“Just because he’s dressed up in costume, it doesn’t mean he’s in special consideration or above the law,” Seattle police spokesman Detective Mark Jamieson said of Jones.
Other police say vigilantes like Jones risk hurting themselves and others.

Batman

Mark Wayne Williams, a.k.a. Michigan’s “Batman.” (Image via YouTube)


When Michigan resident Mark Wayne Williams was caught in May hanging from a building wearing a Batman outfit, police promptly arrested him for trespassing and possession of dangerous weapons, according to Michigan’s Petoskey News-Review.
As part of his probation, Williams, a member of the so-called “Michigan Protectors,” is not allowed to wear any more costumes. That includes his baton, chemical spray, and weighted gloves.
And yet the movement keeps growing. Last year’s hit movie “Kick-Ass,” which follows a kid without special powers who decides to be a superhero, and the recent HBO documentary called “Superheroes,” may have given the movement a push.
The drama that accompanies real-life superheroes has likely also helped the cause. When summoned to court last week, Jones whipped off his normal clothing to reveal a flashy gold and black costume beneath. He also gave an impassioned speech outside the court, designed to appeal to any citizen with a sense of justice:

I will continue to patrol with my team, probably tonight. … In addition to being Phoenix Jones, I am also Ben Fodor, father and brother. I am just like everybody else. The only difference is that I try to stop crime in my neighborhood and everywhere else.

As the movement has grown, it has also sought to become more organized, with some members proposing a uniform set of standards, others publishing tutorials on how people can join, and a few even considering a sanctioning body to oversee it.
There are now many sub-movements within the movement, such as the Rain City Superhero Movement in Seattle, of which Phoenix Jones is the leader.
“The movement has grown majorly,” Edward Stinson, a Florida-based writer who advises real-life superheroes, told MSNBC. “What I tell these guys is, ‘You’re no longer in the shadows. You’re in a new era. … Build trust. Set standards. Make the real-life superheroes work to earn that title and take some kind of oath.’ ”

Arrest marks growing pains for superhero movement

Originally posted: http://www.google.com/hostednews/ap/article/ALeqM5ix-PXiZOo4Z-N_Jx8NWWWs0zkwvQ?docId=a51a823c485c4474a79aa1c01b22ae96
By Gene Johnson, Associated Press
SEATTLE (AP) — Fabio Heuring was standing outside a Seattle nightclub on a Saturday night and smoking cigarettes with a friend when a man bolting from a bouncer ran into them. The enraged man ripped off his shirt in the middle of the street and prepared to give Heuring’s buddy a beating.
Just then, in swooped a bizarre sight: a self-proclaimed superhero in a black mask and matching muscle-suit. He doused the aggressor with pepper spray, much to Heuring’s shocked relief.
A couple hours later, though, the superhero ended up in jail for investigation of assault after using those tactics on another group of clubgoers, sending pangs of anxiety through the small, eccentric and mostly anonymous community of masked crime-fighters across the U.S.
The comic book-inspired patrolling of city streets by “real life super-heroes” has been getting more popular in recent years, thanks largely to mainstream attention in movies like last year’s “Kick-Ass” and the recent HBO documentary “Superheroes.” And as the ranks of the masked, caped and sometimes bullet-proof-vested avengers swell, many fret that even well-intentioned vigilantes risk hurting themselves, the public and the movement if they’re as aggressive as the crime-fighter in Seattle.
Some have gone so far as to propose a sanctioning body to ensure that high super-hero standards are maintained.
“The movement has grown majorly,” said Edward Stinson, a writer from Boca Raton, Fla., who advises real-life superheroes on a website devoted to the cause. “What I tell these guys is, ‘You’re no longer in the shadows. You’re in a new era. … Build trust. Set standards. Make the real-life superheroes work to earn that title and take some kind of oath.'”
It’s not clear how many costumed vigilantes there are in the U.S. The website www.reallifesuperheroes.org lists 660 members around the world. They range from members of the New York Initiative in New York City and the Shadow Corp in Saginaw, Mich., to a character named Nightbow who says he has patrolled the streets of Carlisle, England, for three years.
Some take on their fictional identities while doing charity work.
Benjamin Fodor, better known as Phoenix Jones, is the most prominent face of the Rain City Superhero Movement, a collection of vigilantes who appeared in Seattle over the past year. Early on Oct. 9, about two hours after he saved Heuring and his buddy, the 23-year-old man charged a group of people leaving a downtown nightclub as a videographer trailed him.
From the shaky camera work, it appeared there may have been some kind of disturbance in the group. Fodor insists he was breaking up a fight when he hit the crowd with pepper spray; the people who got sprayed told police there had been no fight. He was briefly booked into jail for investigation of assault, but prosecutors haven’t charged him yet. He appeared in court last week while wearing his superhero costume under a button-down shirt.
“Recently there have been increased reports of citizens being pepper sprayed by (Fodor) and his group,” the police report noted. “Although (Fodor) has been advised to observe and report incidents to 911, he continues to try to resolve things on his own.”
Fodor remained unapologetic after the court appearance, saying he’s just like anyone else except that “I decided to make a difference and stop crime in my neighborhood.” He invited members of the public to join him on patrol Saturday night.
Heuring, a 27-year-old shuttle driver from Auburn, is a fan.
“Without a question, there was a fight going to happen,” he said. “It could have ended ugly had he not come in. He used good judgment in our case. He saw who was instigating it and who he needed to defend.”
But many in the vigilante community point to Fodor’s arrest as a watershed moment: As more people — often, young people — fashion themselves into superheroes, they risk finding themselves in similar situations where they wind up hurting innocent members of the public or being shot, stabbed or beaten themselves. Such negative attention could doom the movement, they say.
Stinson, who is 40 and says he has a military background, said that if the movement is to continue to grow, it needs to do a better job policing itself. He envisions a nonprofit organization that would have departments devoted to fundraising and building community trust and alliances. He also thinks there should be tactical superhero training — including how to take control of a volatile situation and defuse it.
Filmmaker Michael Barnett followed 50 real-life crime fighters for 15 months for his documentary “Superheroes.” Many have great intentions, he said, but that doesn’t mean their methods are proper.
“The police by in large appreciate an extra set of eyes, but they really, really want these guys to do it according to the law,” Barnett said.
Masked crusaders began appearing in the 1970s with San Diego’s Captain Sticky, who used his Superman-like costume to fight against rental car rip-offs and for tenant rights, Barnett said. They spread throughout the country in the 1980s and 1990s, and became more popular thanks to the faster communications and online support communities of the Internet.
Barnett said he met plumbers, teachers, cashiers and firefighters who leave their day jobs behind every night in the name of security. Their weapons include pepper spray, stun guns and batons. Relatively few have any combat training or any formal knowledge of how to use their arsenal, he said.
That concerns the professional crime-fighters.
“If people want to dress up and walk around, knock yourself out,” said Seattle police spokesman Mark Jamieson. “Our concern is when you insert yourself into these situations without knowing the facts, it’s just not a smart thing to do. If you think a situation warrants calling 911, call 911.”
Not all of the vigilantes take a confrontational approach. A 53-year-old man in Mountain View, Calif., who calls himself “The Eye,” keeps a low-enough profile that officers there have never booked anyone arrested with his help.
“The only reason I know him is because he’s my neighbor,” said police spokeswoman Liz Wylie. “He’s a neighborhood watch block captain, a very good one at that.”

Under New Management

Watchman in FullThese past few months, I’ve been preparing this site for new owners. The new management of Reallifesuperheroes.org is The Watchman and Life. Any questions about this site and modifying its content, please address those questions to The Watchman or Life via Private Message. The new team has access to the Google, Twitter and You Tube account now and will be able to modify parts like the RLSH Map, Event Calendar, and other Google features embedded in the RLSHorg site. The new team will also be able to create blog sections for people.
I’ve made some recent tweaks to the site. As most people noticed, I have removed the Registry. The registry was removed because the new team should not have to have the headaches having to verify who is real and who is not. The new team should not have to make the decision Dark Guardian and I had to do by removing profiles of individuals who were less than stable. And the new team are active RLSH, and do not have the time to research other people; the team’s time should be better spent helping others and researching ways to make a difference.  In its place, I have transferred the Wiki files to the main site. Users who want to work on the wiki pages must request access from the new moderators. To add a wiki page to the site, copy and paste the form listed at http://www.reallifesuperheroes.org/wiki-2/wiki-submission/ and email it to [email protected]. Per instructions, new profiles must have photos which backgrounds are outside and not Photoshopped.
I wish the new management well. I hope that in a few years I can visit this site and see big changes that the new site owners will bring. Good Luck guys.
-RLSHtech

‘Real Life Superhero’ Breaks Up Carjacking In Washington State

Originally posted: http://southcapitolstreet.com/2011/01/05/real-life-superhero-breaks-up-carjacking-in-washington-state/
Evil villains looking to prey on the citizens of Lynnwood, Washington, beware: Phoenix Jones is watching.
KIRO Eyewitness News reports that a Lynnwood man, identified only as “Dan,” came “within seconds of having his car broken into” on Sunday when the alleged crook was chased off by a masked crusader. In an incident that local police couldn’t confirm to TPM, Dan told KIRO a man with a metal strip was trying to unlock his car in a parking lot when help showed up out of nowhere.
“From the right, this guy comes dashing in, wearing this skin-tight rubber, black and gold suit, and starts chasing him away,” Dan said.
Dan’s rescuer was Phoenix Jones, a.k.a. Phoenix Jones the Guardian of Seattle, a “Real Life Superhero” and leader of the Rain City Superhero Movement. Almost every night, the 22-year-old Jones, who keeps his real identity a secret, enters a secret compartment in the back of a Lynnwood comic book store and emerges, in uniform, to patrol the streets. (Watch video of Jones in action here.) His suit includes a bullet-proof vest and “stab plates,” and he carries a taser nightstick, mace and tear gas. The Seattle Post-Intelligencer reports that Jones also sports a “ballistic cup.”
“I symbolize that the average person doesn’t have to walk around and see bad things and do nothing,” Jones said. He told KIRO that since he began his patrols nine months ago, he has been stabbed and had guns drawn on him.
Jones isn’t alone in his crime-fighting enthusiasm. There’s an entire movement of Real Life Superheroes out there, across the country. Activities appear to range from handing homeless people water bottles to actually stepping in and trying to stop violent crime. The website rlsh-manual.com defines a Real Life Superhero as “whoever chooses to embody the values presented in superheroic comic books, not only by donning a mask/costume, but also performing good deeds for the communitarian place whom he inhabits.” Reallifesuperheroes.org urges visitors to “Let out your inner superhero and join or support our cause.”
But not everyone is ready to credit Jones with thwarting a Real Life Evildoer. When TPM contacted the Lynnwood Police Department, Public Information Officer Shannon Sessions said the department was aware of the “superheroes,” but could not confirm the incident this week.
“I know there was a story on it–but I can’t confirm that it’s true and that it actually happened,” Sessions said in an email. She even suggested that KIRO may have been “punked.”
A commenter on The Real Life Superhero Forum suggested the Lynnwood incident was staged.
“Staged… bunk,” wrote a member named Artisteroi in response to the Forum founder’s posting of the KIRO story. “[A]nd does anyone notice that his suit keeps getting more and more elaborate? Someone is funding this guy. That suit was made in Hollywood basement.”
Back in November, The Seattle Post-Intelligencer reported that the Seattle police had made contact with the Rain City Superhero Movement. A source gave the Post-Intelligencer the names of the eight other members of the Movement: Thorn, Buster Doe, Green Reaper, Gemini, No Name, Catastrophe, Thunder 88 and Penelope.

Police say the “costume-wearing complainants” are lucky they haven’t been hurt.
In one instance, police say a caped crusader dressed in black was nearly shot when he came running out of a dark park. In another case, a witness on Capitol Hill saw the crusaders wearing ski masks in a car parked at a Shell station and thought they were going to rob the place.

Seattle Police spokesman Jeff Kappel told the paper “[t]here’s nothing wrong with citizens getting involved with the criminal justice process — as long as they follow it all the way through.” But the article describes an incident on November 4 where police responded to a scene where Jones and other apparent Movement members were in a stand-off with a man making threatening statements and swinging a golf club. The “costume-wearing complainants” declined to press charges, to prevent revealing their secret identities. As a result, The Club Swinger walked.
TPM also found an interview Jones did in November with a blogger named Tea Krulos. In it, Jones describes his background in martial arts, and says the other members of the Rain City Superhero Movement “all have either military backgrounds or MMA training.”
“Phoenix Jones…people believe Phoenix Jones may help them,” Phoenix Jones told Krulos. “I mean they know they can’t count on it 100 percent, because it’s so random, but they know it is possible.”

Super-homens

heroi-1bOriginally posted: http://super.abril.com.br/cotidiano/super-homens-573741.shtml
Pessoas comuns usando fantasias e nomes falsos para fazer o bem e combater o crime. Conheça o fenômeno dos super-heróis da vida real
por Alexandre Rodrigues
tem uma tragédia em sua origem. O Batman assistiu ao assassinato dos pais ainda menino. O Super-Homem sofre por ser o único sobrevivente de um planeta que explodiu. O Homem-Aranha se balança em teias para compensar um erro – deixou fugir o bandido que depois matou seu tio. Mas Sarah só precisou levar um pé na bunda para se tornar Terrífica, que luta para impedir que outros tirem vantagem de mulheres indefesas.
Ela é magra, tem os cabelos louros, bonitos olhos azuis e um gosto péssimo para uniforme – o seu consiste em máscara, calça, malha e botas púrpuras e um sutiã de metal por cima da roupa. Carrega uma “pochete de utilidades” na qual há de chocolates a preservativos para cumprir sua missão: percorre a noite de Manhattan e adjacências abordando mulheres. Por sua obsessão em tentar impedir que homens se deem bem com as mulheres que beberam demais à noite, a heroína nova-iorquina foi apelidada de anti-Sex and the City. “Minha motivação é simples. Eu tento ensinar a mulheres que elas não precisam de proteção, admiração, o que for”, diz Sarah, a mulher de coração partido. “Não é preciso ter superpoderes para alguém cometer erros. Erros terríveis.”
Terrífica é uma candidata a terapia e também a representante feminina mais famosa de um bizarro fenômeno da cultura pop que vem ganhando força no hemisfério norte. É cada vez mais frequente pessoas comuns vestirem fantasias para defender uma causa ou mesmo combater o crime. Há um boom de super-heróis da vida real (ou RLSH, sigla mais ou menos popularizada nos países onde eles atuam). São bancários, universitários, ex-policiais, que usam nomes como Lebre da Sombra e Capitão Discórdia sem medo do ridículo. Em vez da Liga da Justiça, se aliam em organizações como Sociedade da Segunda-Feira Negra e Tropas dos Combatentes do Crime. De acordo com o site Super Hero Registry, há mais de 300 na ativa: são 6 na Europa, 2 no Canadá, 1 no México – no Brasil, até a publicação e repercussão desta matéria, nenhum. Todo o resto está nos EUA. Se ainda estivesse vivo, um sujeito chamado Fredric Wertham veria essa estatística com orgulho e preocupação.
Tradição americana
Em 1954, o Senado americano organizou o equivalente a uma CPI para diagnosticar o suposto mal que as histórias em quadrinhos estavam causando a milhões de crianças e adolescentes. Assumidamente inspirada no livro Seduction of the Innocent (“Sedução do Inocente”, sem versão em português), lançado naquele ano pelo psiquiatra Fredric Wertham, a comissão era um palco para o doutor expor suas ideias. Acuados, editores tiveram de engolir que seus gibis eram “um fator importante em muitos casos de deliquência juvenil” – lembra a polêmica atual sobre videogames (ver pág. 38).
Se Wertham foi preconceituoso por um lado, acabou acertando por outro: detectou entre alguns fãs de super-heróis o complexo de Super-Homem – um senso exagerado de responsabilidade, aliado à crença de que ninguém é capaz de se virar sozinho e uma necessidade constante de “salvar” os outros. Seria o contrário do “efeito espectador”, em que cidadãos obedientes à lei, diante de um crime, não se envolvem, achando que outros vão fazê-lo. Para Bart Beaty, especialista na obra de Wertham, essa compulsão por se envolver já existia na cultura americana, mas pode ter se acentuado após a comoção com o 11 de Setembro, levando ao surgimento desses heróis de verdade.
“O movimento está crescendo. Já são mais de 300 no Super Hero Registry? Veja só, há um ano eram 200”, diz Ben Goldman, historiador informal do fenômeno e também um herói – ele usa o nome de Cameraman, por sua dedicação a documentar em vídeo as ações dos colegas. Segundo ele, a crise financeira que abalou os EUA no ano passado deu o impulso que faltava para que alguns caíssem no heroísmo . “Muitos perderam renda, o emprego, suas casas, passaram por crises existenciais e pararam para pensar em quem eram de verdade. Algumas pessoas começaram a dar mais valor a sua vocação do que a suas posses. E muitos acham que nasceram para ser super-heróis, por que não?”
Fazendo diferença
“As pessoas estão cheias de indiferença e apatia, mas há homens e mulheres que querem fazer diferença. Somos um movimento, mais do que um bando de caras usando roupas de elástico”, diz Dave Pople, ex-profissional de luta livre, ex-boxeador, ex-fuzileiro naval, ex-cadete da academia de polícia. Ocupação atual: super-herói sob a alcunha de… Super-Herói. O uniforme, como os de seus colegas, foi claramente inspirado nos dos heróis dos quadrinhos (ver quadro nesta página). Como os outros super-heróis, não pode carregar armas para não correr o risco de ser preso por vigilantismo. Apesar do corpo avantajado (ou talvez por causa dele), garante que jamais precisou agredir um suspeito. No que consiste, então, o seu super-heroísmo? Bem, em um domingo à tarde pode estar patrulhando a praia de Clearwater, Flórida, onde vive, verificando se os vendedores têm licença. Ou trocando um pneu numa estrada. Mas, como a maior parte de seus colegas, faz caridade: com outros heróis da região, ele formou o Time Justiça, que reúne e doa brinquedos.
heroi-2e3
Mas alguns mantêm uma aura de mistério e dizem viver nas sombras espreitando malfeitores. “É como eu posso ajudar os outros”, diz O Olho,herói de Mountain View, Califórnia. Na internet, se apresenta como um ex-detetive particular que passou 25 anos em empresas do Vale do Silício e hoje vigia sorrateiramente o crime, reunindo provas para a polícia. Aos 51 anos, percorre a cidade de carro usando equipamentos que ele mesmo inventa – como uma bengala-câmera, um rádio-periscópio e uma lanterna laser – para vigiar criminosos. Ao seu lado, leva a mulher, ela também uma super-heroína, que adota o codinome de Lady Mistério. “O parque Mercy Bush tem sido a cena de alguns avistamentos estranhos em várias patrulhas. Eu vi vandalismo, duas pessoas fazendo sexo sendo filmadas por uma terceira e, em geral, todo tipo de esquisitos que são atraídos para esse lugar quando cai a noite”, registrou em seu blog sobre uma patrulha noturna.
O fenômeno é mais forte nos EUA, mas já atravessou o Atlântico. “Sou detetive e combatente do crime”, se apresenta Entomo (latim para “inseto”), italiano de 32 anos. Com a identidade mais ou menos secreta – diz que 13 pessoas próximas sabem quem ele é -, dedica-se a evitar o vandalismo nas ruas de Nápoles desde 2007, quando se inspirou com a história de Terrífica. Ele conta que passou por treinamento antes de assumir a vida dupla, mas sua grande vantagem, assegura, são as habilidades paranormais. “Eu injetojustiça“, diz, sem dar mais detalhes. “Hoje é meu terceiro aniversário comoherói. Obrigado a todos pelo apoio. Eu irei celebrar patrulhando as ruas toda a noite”, comemorou Entomo dia 2 de março na sua página no MySpace – que, a propósito, também informa que está interessado em conhecer mulheres.
Sala (virtual) da Justiça
Não haveria os super-heróis de verdade sem a internet. O fenômeno é efeito da web 2.0, que impulsionou uma profusão de blogs e páginas de redes sociais, para heróis e grupos dos quais fazem parte. “Os interessados no assunto juntaram forças, viram que não estavam sozinhos”, diz Goldman/Cameraman. Em fóruns na rede, veteranos e novatos trocam experiências e dicas. Onde encontrar spandex, o tecido dos uniformes dos super-heróis, mais discretos? Camadas de Kevlar, como nos quadrinhos, realmente protegem contra uma bala? (A resposta é não.)
heroi-4e5
Às vezes, esses fóruns servem para mostrar que a realidade não é tão exigente quanto a ficção. Em seu livro Becoming Batman (“Virando Batman”, sem versão em português), o neurocientista canadense E. Paul Zehr estimou entre 15 e 18 anos o tempo que Bruce Wayne levou treinando para ser o Cavaleiro das Trevas. Para o autor, Wayne é um atleta capaz de ser campeão olímpico no decatlo. “Quero virar um super-herói, mas tenho vergonha da minha barriga”, explica o novato em um tópico de discussão. “Calma. Você deve ter notado que há muito super-herói fora de forma”, responde, tranquilizador, um veterano.
Mas a internet ainda não foi capaz de proporcionar a qualquer dos novos heróis o tipo de fama do veterano Superbarrio Gómez, na ativa desde os anos 80. Quando jovem, nos anos 70, foi guerrilheiro e afirma ter participado de 3 assaltos a bancos. Mais tarde, nos anos 80, o militante passou a se apresentar como um bizarro personagem que, com uma máscara de luta livre e um uniforme que lembra o do Chapolin Colorado, começou a aparecer em protestos populares e greves de trabalhadores na Cidade do México. Embora nunca tenha concorrido em seu país, em 1996 se tornou uma celebridade internacional ao se proclamar candidato alternativo à Presidência dos EUA.
Desde então, foi tema de dois livros, apareceu na série inglesa de quadrinhos2000 AD Presents e também foi tema de um curta-metragem animado, La Vuelta de Superbarrio (“O Retorno de Superbarrio”). Com quase 60 anos – sua idade correta é desconhecida -, aposentou-se no início da década e revelou a identidade secreta: Marco Rascón Córdova. Mas, assim como o personagem Fantasma, a honra de ser Superbarrio parece passar adiante: desde 2005 outro sujeito veste o uniforme. Sua página no Facebook informa: ainda está na ativa.
Vida real
A Califórnia é um dos estados americanos onde o Olho pode agir. Na Carolina do Norte, por exemplo, cidadãos comuns são proibidos de prender alguém. Se algum deles fizer isso, pode ser detido por sequestro. Apesar de até achar positivo um grupo de cidadãos dispostos a ajudar, a polícia de San Diego, também na Califórnia, que vive uma epidemia de heróis, deu o recado: o combate ao crime só pode ser feito sem violência. E sugere aos heróis apenas denunciarem crimes e depois servirem de testemunhas. A resposta do público – como era de esperar – fica entre o apoio e o deboche. Em Nova York, um encapuzado chamado Vida reclama de moradores que atiram objetos das janelas – o paladino da justiça foi atingido por um pedaço de carne crua.
Mas os super-heróis da vida real têm um motivo para não desanimar: conseguiram empolgar ninguém menos do que Stan Lee, o criador de Hulk, Homem-Aranha, Homem de Ferro e outros heróis. “Se alguém está cometendo um crime, se alguém está machucando outra pessoa, é quando um super-herói entra em cena. É bom que haja pessoas ansiosas para ajudar as próprias comunidades”, declarou ele em entrevista à rede CNN. E até Hollywood já embarca na onda: está prevista para 11 de junho a estreia no Brasil de Quebrando Tudo (Kick-Ass), filme que liderou as bilheterias americanas com a história de um jovem que resolve combater o crime fantasiado – e encontra outros como ele. É, claro, uma comédia.
Super-Herói viu o filme e não gostou muito, por achar que ridiculariza algo que ele leva muito a sério. Mas não se incomoda diante de uma pergunta bastante repetida: os super-heróis da vida real não passam de adultos que não querem enfrentar a própria vida? “Eu acho que as pessoas são conformistas”, ele responde. “Eles acham que nós devemos viver apenas vidas normais. Vidas normais são um saco.”
Para saber mais
Watchmen
Alan Moore & Dave Gibbons, Panini Livros, 2009.
Fredric Wertham and the Critique of Mass Culture
Bart Beaty, University Press of Mississippi, 2005.
worldsuperheroregistry.com
reallifesuperheroes.org
heroi-6English Translation
Every superhero has a tragedy in its origin. Batman witnessed the murder of her parents as a boy. Superman suffers from being the sole survivor of a planet that exploded. Spider-Man swings on webs to make a mistake – gave away the villain who later killed his uncle. But Sarah just had to take a walk in the butt to become terrifying, struggling to prevent others from taking advantage of defenseless women.
She is thin, has blond hair, beautiful blue eyes and a bad taste for even – your mask is on, pants, sweater and purple boots and a bra metal on top of clothing.Carries a “utility pouch” in which there are chocolates to condoms to fulfill their mission: traveling the night of Manhattan and vicinity approaching women. In his obsession with trying to prevent men get along with women who drank too much at night, the New York heroin was dubbed anti-Fri and the City. “My motivation is simple. I try teach women that they need no protection, admiration, whatever,” says Sarah the wife of a broken heart. “You do not need superpowers to someone making mistakes. Mistakes terrible.”
Terrifying is a candidate for therapy and also the most famous female representative of a bizarre pop culture phenomenon that is gaining strength in the northern hemisphere. It is increasingly common people wear costumes to defend a cause or even fighting crime. There is a boom of superheroes in real life (or RLSH, which stands more or less popularized in countries where they operate). They are banking, academics, former police officers, who use names such as Hare’s Shadow and Captain Discord without fear of ridicule. Instead of the League ofJustice, are allied organizations as the Society of Black Monday and the troops fighting crime. According to the website Superhero Registry, there are over 300 on active duty: six are in Europe, two in Canada, one in Mexico – in Brazil, until the publication of this material and repercussion, no. Everything else is in the U.S.. If he were still alive, a guy named Fredric Wertham would see that statistic with pride and concern.
American Tradition
In 1954, the U.S. Senate held the equivalent of a CPI for diagnosing the supposed evil that the stories in comics were causing millions of children and adolescents. Admittedly inspired by the book Seduction of the Innocent (“Seduction of the Innocent,” without version in Portuguese), released that year by psychiatrist Fredric Wertham, the commission was a stage for the doctor explain his views. Intimidated, editors had to swallow that his comics were “an important factor in many cases of juvenile delinquency” – remember the current controversy about video games (see page 38.).
If Wertham was biased on the one hand, ended up hitting the other: caught between some fans of the superhero Superman complex – an exaggerated sense of responsibility, coupled with the belief that nobody is able to turn yourself and a constant need to “save” others. It would be the opposite of “bystander effect” in which law-abiding citizens, faced with a crime, do not get involved, thinking that others will do it. For Bart Beaty, a specialist in the work of Wertham, this compulsion to engage in American culture existed, but may have been accentuated after the commotion with the September 11, leading to the emergence of these real heroes.
“The movement is growing. There are now over 300 Super Hero Registry? Look, up from 200 a year ago,” says Ben Goldman, informal historian of the phenomenon and also a hero – he uses the name of Cameraman, for his dedication to video documenting the actions of colleagues. He said the financial crisis that has rocked the U.S. last year gave the boost that to fall in some heroism. “Many lost income, jobs, their homes, went through existential crises and stopped to think about who they were real. Some people began to give more value to his calling than his possessions. And many think they were born to be super- heroes, why not? ”
Making a difference
“People are full of indifference and apathy, but there are men and women who want to make a difference. We are a movement, rather than a bunch of guys wearing elastic,” says Dave Pople, former professional wrestling, former boxer, ex-marine, ex-cadet at the police academy. Current Occupation: superhero under the name … Super-Hero. The uniform, like those of his colleagues, was clearly inspired by the heroes of the comics (see box this page). Like other superheroes, he can not carry weapons as you run the risk of being arrested for vigilantism. Despite topping the body (or perhaps because of it) ensures that never needed to assaulting a suspect. As is, then, your super-heroism? Well, on a Sunday afternoon may be patrolling the beach in Clearwater, Fla., where he lives, making sure the vendors are licensed. Or changing a tire on a road. But like most of his colleagues, does charity: with other heroes of the region, he formed Team Justice, which collects and donates toys.
But some maintain an aura of mystery and they say live in the shadows lurking criminals. “It’s like I can help others,” says Eye, hero of Mountain View, California. On the Internet, presents himself as a former private investigator who spent 25 years at companies in Silicon Valley and today oversees sneak crime, gathering evidence for police. After 51 years, runs through the town by car using equipment that he invented – as a cane-camera, a periscope and a radio-flashlight laser – to monitor criminals. At his side, takes the woman, she is also a superhero, which adopts the codename of Mystery Lady. “Mercy Bush Park has been the scene of some strange sightings on several patrols. I saw vandalism, two people having sex being shot by a third and, in general, all sorts of weird that they are attracted to this place when night falls” , noted in his blog on a night patrol.
This phenomenon is stronger in the U.S. but has already crossed the Atlantic.”I’ma detective and crime fighter,” presents Entom (Latin for “bug”), Italian 32.With more or less secret identity – says 13 people nearby know who he is – is dedicated to prevent vandalism in the streets of Naples since 2007, when he was inspired by the story of terrifying. He tells that went through training before assuming the double life, but its greatest advantage, ensures they are paranormal abilities. “I inject justice, “he says, without elaborating. “Today is my third anniversary as hero. Thank you all for your support. I will conclude by patrolling the streets all night, “Entom celebrated March 2 at his MySpace page – which, incidentally, also says it is interested in knowing women.
Room (virtual) of Justice
There would be the superheroes of truth without the internet. The phenomenon is the effect of Web 2.0, which boasted a profusion of blogs and social networking pages for heroes and groups to which they belong. “Those interested in the issue joined forces, they saw that they were not alone,” says Goldman / Cameraman. In forums on the net, beginners and veterans share experiences and tips. Where to find Spandex, the fabric of the uniforms of superheroes, more discreet? Layers of Kevlar, as in the comics, actually protect against a bullet? (The answer is no.)
Sometimes, these forums serve to show that reality is not so picky about the fiction. In his book Becoming Batman (“Batman Turning” without version in Portuguese), the Canadian neuroscientist E. Paul Zehr estimated between 15 and 18 years time that Bruce Wayne took training to be the Dark Knight. For the author, Wayne is an athlete able to be Olympic champion in the decathlon. “I want to become a superhero, but I am ashamed of my belly, “says the rookie on a topic of discussion. “Calm down. You may have noticed that there is much super-hero out of shape, “says, reassuringly, a veteran.
If you think that conflict is missing, not missing more: virtual protected by anonymity, have begun to emerge the first supervillain. “Your actions mean nothing to me. You are heroes like a plastic toy. An insect asking to be crushed,” Black Horizon challenged in his introductory video on YouTube. Like most real heroes, he does not lose the chance to give interviews.”There can be a superhero without super-villain, “advocates. “And, as superheroes are spreading out there, here I am.” And to be a villain can be enriching?”I like to see adults and children suffer.” As the heroes gather in groups, “supervillains” also formed his own: the Black Circle – for now, its evils were only on the promise.And feel forgiven those who start to laugh knowing that one of the architects of the forces of evil is Masturbator Black.
But the Internet has not yet been able to provide any kind of new heroes of Fame veteran Superbarrio Gomez, both active since the 80s. As a young man in the ’70s, was a guerrilla and claims to have participated in three bank robberies. Later in the ’80s, the militants began to present itself as a bizarre character with a mask of wrestling and a uniform reminiscent of Chapolin Colorado, began appearing in popular protests and strikes by workers in Mexico City. Though he never competed in his country in 1996 became an international celebrity when he proclaimed alternative candidate for U.S. president.
It has since been the subject of two books, appeared in the series Britishcomic 2000 AD Presents, and also was the subject of an animated short film, La Vuelta de Superbarrio (“The Return of Superbarrio). With nearly 60 years – his correct age is unknown – he retired in the early and revealed the secret identity: Marco Rascón Cordoba. But like the character Ghost, the honor of being Superbarrio seems to pass along: since 2005 the other guy wears the uniform. His Facebook page states: is still active.
Real Life
California is one state where the Eye Americans can act. In North Carolina, for example, ordinary citizens are forbidden to arrest someone. If any of them do, be arrested for kidnapping. Although even find a positive group of citizens willing to help, police in San Diego, also in California, who lives an epidemic of heroes, gave the message: the fight against crime can only be done without violence. And it suggests to the heroes only report crimes and then serve as witnesses. The public response – as expected – is between the support and debauchery. In New York, a hooded called Life calls from residents who throw objects from windows – the champion of justice was hit by a piece of raw meat.
But the superheroes in real life have a reason not to lose heart: could excite none other than Stan Lee, creator of the Hulk, Spiderman, Iron Man and other heroes. ‘If someone is committing a crime if someone is hurting someone else, is when a super-hero enters the scene. It is good that there are people eager to help their communities “he said in an interview with CNN. Even Hollywood has embarked on the wave: is scheduled for the June 11 premiere of Breaking Everything in Brazil (Kick-Ass), a film which topped the U.S. box office with the story of a young man who decides to fight crime dressed – and find others like him. It is of course a comedy.
Super-Hero saw the movie and did not much like, thinking that ridicules something he takes very seriously. But do not mind facing a much repeated question: superheroes in real life are just adults who do not want to face their own life? “I think people are conformist,” he replies. “They think we just live normal lives. Normal lives suck.”
To learn more
Watchmen
Alan Moore & Dave Gibbons, Panini Books, 2009.
Fredric Wertham and the Critique of Mass Culture
Bart Beaty, University Press of Mississippi, 2005.
worldsuperheroregistry.com
reallifesuperheroes.org

Kick-Ass: A Response to the Bystander Effect

Originally posted: http://cchronicle.com/2010/04/kick-ass-a-response-to-the-bystander-effect/
By Cilien Hanna
Kick-Ass, a movie currently in theaters directed by Matthew Vaughn, speaks of teenager David Lizewski, played by Aaron Johnson, who becomes weary of the passive response to the crimes he sees around him.  His reaction is to order a green, skin-tight leotard, complete with mask, and become a crime-fighting superhero.  In the ensuing adventures, which are clearly over his head, he makes some friends, saves some people, and even develops an arch enemy, played by Christopher Mintz-Plasse.  David wonders in the film why, with all the comic books out there, no one has tried this before? But he’s wrong, there is actually a multitude of people, sans super powers, who have donned masks and capes, and stood guard over their respective cities.  In fact, there is even a superhero registry, if you can believe it.  There are some that work solo, and some that are part of larger guilds or societies, like the Black Monday Society who patrol the streets of Salt Lake City, Utah in groups, as reported by the Real Life Superhero Project.  But they are not just crime fighters.  There are some, like Terrifica, whose purpose is to watch over bars and clubs in New York City to ensure that women walking home under the influence are not taken advantage of.  According to the New York Post, some, as an added bonus to their crime fighting, even clean up graffiti, pick up trash, and hand out food to the homeless. Though all of these superheroes have costumes, not all include masks to hide their faces, and some proclaim their real names unconcernedly.  Except for a couple, most, unlike their comic book counterparts, do not have any stated arch enemies.
The film is not all adolescent fantasy angst, and does have a more grisly story line, provided mostly by the father daughter team of Damon and Mindy Macready, played by Nicolas Cage and Chloe Moretz.  This duo go on a gruesome vengeful killing spree that uses some more technologically advanced gadgets; more in line with what Batman would use.  This does contribute a more interesting twist to what would be, otherwise, a trite story line; but it isn’t enough to elevate the film above okay status.  Overall, it’s moderately entertaining, and deals with the superhero idea in a facetious manner that is more intelligent than most other movies.
It becomes clear in the film that there are a profusion of people who need help, more than one teenager can handle, especially if he has any sort of life.  But really, is this necessary?  Do we need masked strangers jumping from the shadows to taser hooligans and bullies?  It seems necessary because there is a rabid passiveness that has developed, especially in urban areas, that has allowed people to simply walk by as crimes are committed and conclude that it is none of their business; not even bothering to call 911.  This is usually referred to as the bystander effect, and there are several notorious examples of the phenomenon, like the rape of a high school girl last year which was marked by several onlookers who not only did not do anything, but actually filmed, some laughed, and others even participated, according to an article by ABC News.  In a crowded subway in Philadelphia one rider attacked a sleeping passenger with a hammer another.  Even when there is no immediate danger, people do not feel compelled to act.  An Associated Press article expounds how a homeless man was stabbed as he tried to help a woman being assaulted, and ended up dying on the sidewalk as people walked by and even took pictures.
The bystander theory states that the amount of help expect from a bystander is inversely proportional to the number of people there.  Meaning, the more onlookers there are, the less likely any of them will help.  There can be two reasons for this, as explained in a paper by Peter Prevos.  One is called diffusion of responsibility, and basically proposes that the more bystanders there are, the less responsible any one of them feels to help.  Bystanders believe that someone else will take care of it.  The other theory is explained by social norms.  When there is a group of people, their behavior is guided by the behavior of those around them.  So, in a crowd, everyone looks to everyone else as to what is the acceptable behavior standard . . . if no one else is helping, they’re not going to help.  The fact that good Samaritans can be sued after performing a good deed, as happened in California, doesn’t help excite the feelings of compassion in passersby.  Still, the responsibility of protecting neighborhoods shouldn’t rest solely on the shoulders of a few masked crusaders.  There should be an intrinsic level of responsibility to, at least, report crimes in progress, if they are afraid to act.  Some websites claim that just knowing about the bystander effect will make you less helpless to its effects.  Others, like Imagine Today, proclaim that, to break a crowds passiveness, you should shout out specific tasks to specific members.  People are more apt to respond to directions given directly to them.  You have now been armed with knowledge that should help you make your city safer.  And if that doesn’t work, you could always look-up your local superhero for assistance.
 

Gossip as hot as an Eyjafjallajökull ash plume

Originally Posted: http://www.wweek.com/editorial/3624/13942/SOURCE=RSS
UP IN THE AIR: Real-life Portland superhero Zetaman is catching international attention with his blue-and-black spandex and do-gooding ways. Since he was first profiled in WW (see “The Adventures of Zetaman,” March 5, 2008), the Z-man reports he’s been contacted by producers from France and Hollywood, and recently signed a development contract with Beverly Hills-based Bogner Entertainment. Cable channels have expressed interest in taking his locally produced TV show at zetaman.tv to a wider audience, Zetaman says, and he’s also partnered with Lionsgate to promote the new movie Kick Ass on his website, reallifesuperheroes.org.
 

Kick-Ass Tests the Limits of “Exploitainment”

Originally Posted: http://www.daggerpress.com/2010/04/16/kick-ass-tests-the-limits-of-exploitainment/print
Posted By Adam Mehring On April 16, 2010 @ 3:37 am In Featured, Movies, Pop & Culture | 35 Comments
A touch more than 70 years ago, Gone with the Wind kicked up controversy for its use of what was considered profane language. The line in question, of course, is now a ubiquitous cinematic staple, frequently repeated without hesitation. Frankly, no one really gives a damn about it anymore.
Kick-Ass makes its way into theaters this weekend, bearing a title that would have sparked considerable outrage on its own back in the days of Clark Gable, Vivien Leigh, and the Motion Picture Production Code’s stringent censorship regulations.
The title would have boiled blood. The film itself would have caused massive coronaries.
Kick-Ass proudly and quite audaciously features absurdly graphic violence and crude language guised by a sunny demeanor, vivid colors, and the appeal of superhero mythology.
At the peak of its depravity is “Hit Girl,” a pint-sized killing machine with the proficiency of some terribly powerful ninja master, donning a purple wig and cape or a schoolgirl outfit and pigtails—and just eleven years old. She smiles wryly, even sweetly, before driving her blade through the heart of an offender, or converting an opponent’s body into a bullet-riddled corpse.
Any sense of childlike abandonment she may yet possess is swiftly dispelled when she opens her mouth, unleashing obscenities as if they were mere yawns. Hit Girl even has the distinction of speaking the obligatory single “c-word” of the hard R-rated film, just as she verbally likens her cohorts to a specific feminine hygiene product (a “d-word” this time).
Hit Girl’s unexpected coarseness is effectively—very effectively—shocking. Whether the initial shock is followed by enjoyment, disgust, or some combination of the two is the point at issue.
As a character, her existence is a mightily depressing one: led by her father and fellow crime-buster “Big Daddy” (Nicholas Cage) through a life entirely devoted to deadly maneuvers and vigilante justice. When Big Daddy purposefully fires a round into his daughter’s torso to let her experience its physical impact, Hit Girl’s bullet-proof vest cannot protect her innocence from shattering into a million pieces.
The film does acknowledge the tragedy that Hit Girl has been robbed of her childhood but only with the passing deference of any issue brought up in a comic book caper. She is certainly no worse off because of her circumstances, nor does she seem to miss the freedoms of being a normal little girl.
On the same token, Hit Girl’s precocious antics are humorous in a disbelieving sort of way, and watching her massacre bad guys through increasingly improbable, ridiculous, and gloriously bloody methods proves quite exciting.
But the wasted innocence of a fictional character is not really what is at stake here. Hit Girl is played by Chloë Grace Moretz, a promising young performer on a serious spunky streak after 500 Days of Summer last year and, recently, Diary of a Wimpy Kid.
Hit Girl is lifted from a comic book, but Moretz, believe it or not, is a real human being who, at the age of twelve, had to really say the “c-word” and really participate in the graphic, albeit staged, sequences of violence. It is Moretz’s innocence that is potentially sacrificed by Kick-Ass, and no part of that is the slightest bit entertaining.
Of course, this is not the first time that filmmaking has exposed child actors to unduly explicit environments. In 1978, Director Louis Malle drew heat for his film Pretty Baby, in which a twelve year-old Brooke Shields played a child prostitute and appeared completely nude. Luc Besson caused a quieter commotion with 1994’s The Professional, placing a young Natalie Portman at the center of a murdering spree and sexual objectification.
Anna Paquin won a Best Supporting Actress Oscar at the age of eleven for her performance in Jane Campion’s The Piano, a film that featured nudity and graphic sex. However, Paquin was not involved in any of these scenes, and her father reportedly did not allow her to see the film in its entirety.
Distributor Lionsgate attempts to rationalize Moretz’s involvement with Kick-Ass by passing the film off as harmless fantasy. Her mother is described reminding the cast and crew, “It’s Hit Girl saying it, not my daughter,” in reference to that certain “c-word.” Meanwhile, director Matthew Vaughn has apparently crafted something “otherworldly,” a “comic book universe” with “hyper-real” violence that is “a signature of the revenge-fantasy genre in which the film is solidly steeped.”
Here’s the problem with that assertion: the principle conceit of Kick-Ass is that it takes place in our world—that a normal person without any special abilities decides to strap on a scuba suit and fight injustice in a society—our society—accustomed to looking the other way.
The film’s central character, “Kick-Ass” himself (Aaron Johnson), gains notoriety after a video of him facing off with a group of muggers goes viral on YouTube. He then uses a MySpace account to communicate with citizens in need of a superhero’s assistance. When “Red Mist,” another makeshift costumed avenger of sorts, docks his iPod onto the dashboard of his modified Ford Mustang, the supposed “otherworldly” setting of Kick-Ass seems particularly our-worldly, or at least embedded with a suspicious amount of familiar technology.
Eventually, the film does concede more of its connection to reality in favor of stylized violence and fanciful plot constructs—Hit Girl’s destructive rampages included—but it does so against its director’s own intentions, and while defying its previously established logic.
Vaughn wants to have it both ways: to ground his film in reality and partake in decadent fantasy. And so, ultimately, Kick-Ass transpires on the untilled fields of a fanboy’s paramount dreamscape.
Even as Lionsgate assures us of this notion—that no reality they endorse would include a gun-slinging middle-schooler spewing four-letter words—the studio has fostered the realism angle in its promotional push for the film. Real Life Superheroes.org [2], a website devoted to inspiring and chronicling masked crusaders in the real world, has become little more than a multi-tiered advertising platform for Kick-Ass.
Lionsgate does not claim ownership to the site—only to a coordinated campaign. However, the domain was not registered until January, 2009, three months after Kick-Ass began principal production, and otherwise lacks an internet footprint. A case of coincidental, simultaneous, and identical inspiration on the part of the Kick-Ass creative team and a group of genuinely concerned citizens, or thinly-veiled astroturfing at its most nauseating?
Either way, Real Life Superheroes.org claims not to endorse vigilantism but then provides links to several sex offender registries, local crime databases, and listings from America’s Most Wanted, along with more links to individual state laws on carrying weapons and making citizen’s arrests—all under the suggestive heading of “FIGHT crime.” Surely, this is not a practical or helpful way to shape up society (just to boost awareness for an upcoming movie about “real life superheroes”), but Lionsgate offers its stamp of approval just the same.
The publicized advertising blitz for Kick-Ass portrays masked heroes on brightly colored posters, images that are sure to appeal to younger crowds drawn to classic superhero iconography. Following the screening I attended, a boy no older than Hit-Girl wearing a “Kick-Ass” novelty tee-shirt trudged out of the theater with a sullen look on his face and his father, also vested in “Kick-Ass” branded swag, looking astonished right behind him. One or both of them had clearly just been duped, but seeing that confused, wandering ghost of a boy—he, too, robbed of his innocence, I imagined—was a little bit devastating.
Posters hung in cinema lobbies create a dilemma for certain theatergoers: so long as Kick-Ass is around, you can’t take a child to a G-rated movie without exposing them to content—to a word—that would automatically earn any film a PG rating. The same word, the film’s very title, is repeated on billboards, television commercials, merchandise, and, yes, tee-shirts for anyone to see.
On the other hand, far more inappropriate content can be just as readily found on magazine covers in the check-out lanes of grocery stores (the latest issue of Cosmopolitan boasts in bold face “The 7 Best Orgasm Tricks in the World!”), during beer commercials, and in Miley Cyrus music videos.
Moral implications and dubious marketing strategies aside, as an exercise in entertainment and filmmaking efficiency, Kick-Ass, for me, just barely squeaks by as something that can qualify as artistic expression—a crude, violent, absurd, and vulgar artistic expression. The film manages to maintain enough levity in its narrative and luster in its presentation to pass as escapist entertainment—crude, violent, absurd, and vulgar escapist entertainment.
Ironically, Vaughn’s failure to convince us that Kick-Ass takes place in our reality or any relatable setting is what salvages the film. Had Hit-Girl seemed slightly more human, her indiscretions would have been unequivocally reprehensible. Instead, she is, as is most of Kick-Ass, an outrageous cartoon brought to life.
For this reason, the film is no more offensive, even less offensive, than last year’s eight-times Oscar-nominated film Inglourious Basterds (sporting another lamentable title), in which director Quentin Tarantino wagered his crude, bloodthirsty revenge fantasy on a sensitive historical issue for stronger dramatic impact. By my estimation, that embraces the very definition of exploitation. As does the WE “reality” show Little Miss Perfect, parading three and four-year-olds around in their disturbingly skimpy “wow-wear.” Kick-Ass is certainly no more destructive than that.
To be honest, I can’t recall the last time I felt such strong and varied emotions while watching a movie as I did during Kick-Ass. Providing moments of shock, horror, disgust, excitement, intensity, hilarity, and general absurdity, Kick-Ass is a rollercoaster ride—a swift kick in the pants, ahem, in the ass, perhaps.
As a film—as an artistic expression and means of entertainment (for those of the proper age and condition)—I have to give Kick-Ass…
As a greater reflection of morality and decency in our culture, Kick-Ass gives me reason to worry.