Tag michael barnett

Originally posted: http://houston.culturemap.com/newsdetail/10-28-11-a-look-at-low-tech-real-life-crimefighters-at-14-pews/
By Joe Leydon
They don’t have the super powers of Spider-Man, or even the firepower of The Punisher. But that doesn’t stop the real-life Superheroes of Michael Barnett’s fascinating documentary – which has its H-Town premiere Friday and Saturday at 14 Pews – from donning home-made costumes, strapping on gadget-stuffed utility belts and patrolling the meanest streets across America.
Among those doing derring-do:

• Mr. Xtreme, a San Diego security guard who moonlights as a crimefighter decked out in green helmet and dark goggles;
• Zimmer, a proudly uncloseted avenger who prowls Brooklyn in the hope of attracting gay-bashers for his allies to dispatch;
• Zetaman and Apocalypse Meow, a colorful married couple who dispense necessities to the homeless in downtown Portland, Ore.; and
• Mister Legend, who drives his beat-up van through the moonlit streets of Orlando and offers aid to the downtrodden when not grabbing beers from his well-stocked ice chest.

Why do they do it? Many of them – including Lucid, a member of Zimmer’s backup team – simply believe the police and other professional law-enforcers are “completely unreliable.” But director Barnett, who spoke with CultureMap this week, thinks the motivations of these caped crusaders may be a bit more complex than that.
CultureMap: Were you surprised to find something that happened way back in 1964 – the infamous murder of Kitty Genovese, who was stabbed while her neighbors reportedly failed to intervene – motivated so many of the superheroes you interviewed?
Michael Barnett: Well, if you think about it, the case became bigger than the case. So, somewhere along the origin of this community [of superheroes], they began to rally around this case of Kitty Geonvese. And it became the defining case of modern apathy in America. They rallied around what the case meant as much as the specific case itself. Because apathy is their villain. So it’s a unifying thread among the community at large.

With these guys, there is no rulebook, there is no manifesto. They go out and be whoever they want and try to help the community in any way they see fit. It’s a real grassroots movement that may not galvanize, that may never get too organized, because the reason they do it is to make up their own rules.

Barnett: Yeah, certainly. I mean, they’d do this anyway without the presence of a camera. But it’s always a concern that you might be creating a moment that wouldn’t exist if you weren’t there with the camera. And that moment may turn tragic.
The interesting thing with these guys is, it’s such a growing population that, inevitably, one of them is going to get hurt, whether there’s someone there with a camera or not. So, hopefully, the people who get into this understand the risk they are taking by choosing to become part of this community and putting themselves in these situations.
But, yeah, occasionally, we did get into some pretty hairy situations. Because, basically, we were shooting in America’s Skid Rows, across the country. Sometimes at 2 o’clock in the morning. It was unpredictable, to say the least.
CM: How did you find out about this amazing subculture?
Barnett: I just sort of stumbled across it on line. And, actually, I didn’t think it was true at first. I thought I’d just found maybe a couple of people who were doing this. But then we started doing a little research, and we quickly discovered that all you had to do is Google “superhero” to come up with a webpage with names of people doing this all over the country, along with news clips and magazine articles. I spent days perusing through it all, and ultimately became fascinated.
CM: How many of these guys do you think have been traumatized by some violence in their past?
Barnett: Actually, that’s one of the few commonalities that I found within the community. I usually don’t generalize, but I did find very quickly that most of these guys had some level of trauma or tragedy in their lives. And this is how that trauma or tragedy has manifested itself. They’re doing this, and getting over that – and possibly over-compensating by going in the opposite direction, and trying to find light in the darkness, if you will.
CM: Maybe they view becoming a “superhero” – even one without super powers – as a way of regaining control of their lives?  
Barnett: Possibly. We found some pretty dark souls out there. And to find them wanting to better themselves, to almost find therapy in doing this – it was fascinating.
CM: Were you ever tempted to tell any of these guys that, hey, maybe you’re not really cut out for this sort of thing?
Barnett: Well, some of these guys that we worked with are untrained, while others are very trained. I’m certainly concerned. I wish they all had a real-life superhero school that they could all go to. So that they could at least know how to handle a situation. So that, rather than inflame it, they could defuse it. Because that takes training – that’s not instinctive. If you don’t have training, then your adrenaline kicks in. And when that happens – people tend to make situations worse. That’s just human nature, you know?
CM: Just to make sure potential audiences understand – these guys aren’t like the Guardian Angels, right?
Barnett: They are and they aren’t. You could say [the superhero community] is an evolution of the Guardian Angels. I mean, the Guardian Angels started out small, and grew to something like 500 chapters. And it’s a really politicized movement now, with a lot of bureaucracy.
Some of these guys used to be part of the Guardian Angels, and they decided they wanted something with less bureaucracy, less rules. They wanted to be able to do it their own eccentric way. The Guardian Angels have a uniform method, and a rulebook, and politics and presidents and leaders. With these guys, there is no rulebook, there is no manifesto. They go out and be whoever they want and try to help the community in any way they see fit. It’s a real grassroots movement that may not galvanize, that may never get too organized, because the reason they do it is to make up their own rules.
CM: During filming, did you find yourself tempted to try some superheroics of your own?
Barnett: I have to say, I get asked that question a lot. And my answer always is: I’m a filmmaker. I want to tell stories. And I thought this was a fascinating story. It’s changed my life in profound ways to see these people – often times with no resources – put everything on the line in order to help other people. So I think I learned a lot from these real-life superheroes. But I’m not going to join them anytime soon.
CM: OK, we’ve talked about the possible dangers facing superheroes. But turn the question around: Ever worry one of these guys might get too carried away with their derring-do?
Barnett: Well, Phoenix Jones was arrested just last week in Seattle for pepper-spraying people.  He thought he was breaking up a fight, and he started pepper-spraying the crowd – and now he has assault charges against him. So, yeah, that’s overstepping the line. Once again, it goes back to, there’s no rulebook for these guys. They don’t have a set of guidelines. So you’re putting yourself in situations where you’re acting instinctively.
And in the case of Phoenix Jones – it was probably not the right protocol. He pepper-sprayed some girls. That’s not good. That’s not a good result. That’s not heroic. I hope the activities of a few superheroes won’t undermine the whole cause.

Originally posted: http://www.google.com/hostednews/ap/article/ALeqM5ix-PXiZOo4Z-N_Jx8NWWWs0zkwvQ?docId=a51a823c485c4474a79aa1c01b22ae96
By Gene Johnson, Associated Press
SEATTLE (AP) — Fabio Heuring was standing outside a Seattle nightclub on a Saturday night and smoking cigarettes with a friend when a man bolting from a bouncer ran into them. The enraged man ripped off his shirt in the middle of the street and prepared to give Heuring’s buddy a beating.
Just then, in swooped a bizarre sight: a self-proclaimed superhero in a black mask and matching muscle-suit. He doused the aggressor with pepper spray, much to Heuring’s shocked relief.
A couple hours later, though, the superhero ended up in jail for investigation of assault after using those tactics on another group of clubgoers, sending pangs of anxiety through the small, eccentric and mostly anonymous community of masked crime-fighters across the U.S.
The comic book-inspired patrolling of city streets by “real life super-heroes” has been getting more popular in recent years, thanks largely to mainstream attention in movies like last year’s “Kick-Ass” and the recent HBO documentary “Superheroes.” And as the ranks of the masked, caped and sometimes bullet-proof-vested avengers swell, many fret that even well-intentioned vigilantes risk hurting themselves, the public and the movement if they’re as aggressive as the crime-fighter in Seattle.
Some have gone so far as to propose a sanctioning body to ensure that high super-hero standards are maintained.
“The movement has grown majorly,” said Edward Stinson, a writer from Boca Raton, Fla., who advises real-life superheroes on a website devoted to the cause. “What I tell these guys is, ‘You’re no longer in the shadows. You’re in a new era. … Build trust. Set standards. Make the real-life superheroes work to earn that title and take some kind of oath.'”
It’s not clear how many costumed vigilantes there are in the U.S. The website www.reallifesuperheroes.org lists 660 members around the world. They range from members of the New York Initiative in New York City and the Shadow Corp in Saginaw, Mich., to a character named Nightbow who says he has patrolled the streets of Carlisle, England, for three years.
Some take on their fictional identities while doing charity work.
Benjamin Fodor, better known as Phoenix Jones, is the most prominent face of the Rain City Superhero Movement, a collection of vigilantes who appeared in Seattle over the past year. Early on Oct. 9, about two hours after he saved Heuring and his buddy, the 23-year-old man charged a group of people leaving a downtown nightclub as a videographer trailed him.
From the shaky camera work, it appeared there may have been some kind of disturbance in the group. Fodor insists he was breaking up a fight when he hit the crowd with pepper spray; the people who got sprayed told police there had been no fight. He was briefly booked into jail for investigation of assault, but prosecutors haven’t charged him yet. He appeared in court last week while wearing his superhero costume under a button-down shirt.
“Recently there have been increased reports of citizens being pepper sprayed by (Fodor) and his group,” the police report noted. “Although (Fodor) has been advised to observe and report incidents to 911, he continues to try to resolve things on his own.”
Fodor remained unapologetic after the court appearance, saying he’s just like anyone else except that “I decided to make a difference and stop crime in my neighborhood.” He invited members of the public to join him on patrol Saturday night.
Heuring, a 27-year-old shuttle driver from Auburn, is a fan.
“Without a question, there was a fight going to happen,” he said. “It could have ended ugly had he not come in. He used good judgment in our case. He saw who was instigating it and who he needed to defend.”
But many in the vigilante community point to Fodor’s arrest as a watershed moment: As more people — often, young people — fashion themselves into superheroes, they risk finding themselves in similar situations where they wind up hurting innocent members of the public or being shot, stabbed or beaten themselves. Such negative attention could doom the movement, they say.
Stinson, who is 40 and says he has a military background, said that if the movement is to continue to grow, it needs to do a better job policing itself. He envisions a nonprofit organization that would have departments devoted to fundraising and building community trust and alliances. He also thinks there should be tactical superhero training — including how to take control of a volatile situation and defuse it.
Filmmaker Michael Barnett followed 50 real-life crime fighters for 15 months for his documentary “Superheroes.” Many have great intentions, he said, but that doesn’t mean their methods are proper.
“The police by in large appreciate an extra set of eyes, but they really, really want these guys to do it according to the law,” Barnett said.
Masked crusaders began appearing in the 1970s with San Diego’s Captain Sticky, who used his Superman-like costume to fight against rental car rip-offs and for tenant rights, Barnett said. They spread throughout the country in the 1980s and 1990s, and became more popular thanks to the faster communications and online support communities of the Internet.
Barnett said he met plumbers, teachers, cashiers and firefighters who leave their day jobs behind every night in the name of security. Their weapons include pepper spray, stun guns and batons. Relatively few have any combat training or any formal knowledge of how to use their arsenal, he said.
That concerns the professional crime-fighters.
“If people want to dress up and walk around, knock yourself out,” said Seattle police spokesman Mark Jamieson. “Our concern is when you insert yourself into these situations without knowing the facts, it’s just not a smart thing to do. If you think a situation warrants calling 911, call 911.”
Not all of the vigilantes take a confrontational approach. A 53-year-old man in Mountain View, Calif., who calls himself “The Eye,” keeps a low-enough profile that officers there have never booked anyone arrested with his help.
“The only reason I know him is because he’s my neighbor,” said police spokeswoman Liz Wylie. “He’s a neighborhood watch block captain, a very good one at that.”

Originally posted: http://www.slamdance.com/2060786/Superheroes-to-attend-IFC-Screening-in-New-York
Los Angeles – September 26, 2011 – The IFC Center will launch Slamdance’s 2011 On The Road tour on October 7th 2011 for a weeklong engagement. The traveling theatrical showcase will feature the critically acclaimed documentary Superheroes directed by Michael Barnett as well as the award winning short film Hello Caller by Andrew Putschoegl.
This year’s On the Road launch represents a well-established relationship between Slamdance and The IFC Center. Soon after opening, the Center found success with Mad Hot Ballroom, a documentary that premiered and was acquired from Slamdance in 2005. As an advocate for independent films, The IFC Center serves as the ideal starting point for the Festival whose mantra is ‘By Filmmakers For Filmmakers.’ Slamdance’s president and Co-founder Peter Baxter explains “On The Road brings popular Slamdance films to audiences that otherwise would not have the opportunity to see them on the big screen and provides our filmmakers commercial benefits that they otherwise would not receive.”
Superheroes is a profoundly funny, eccentric and inspiring film that chronicles the extraordinary lives of real-life superheroes as they take to the streets to protect and support their communities. Perhaps the most intimidating of the heroes featured in the film are a group of Brooklyn-based vigilantes. Life, Dark Guardian and other superheroes from the New York initiative will be in attendance and participate in a Q&A which will immediately follow the screening.
Eight months after the world premiere of Superheroes at the 2011 festival, the Slamdance team continues to demonstrate a commitment to their alumni. As director Michael Barnett puts it, “The tremendous exposure our film gained from Slamdance helped us sell Superheroes to HBO. Partnering with Slamdance for a theatrical release shows how forward thinking they really are.”
Each screening will begin with Hello Caller about a suicidal woman who makes a call for help with unexpected and hilarious results. “We’re still in shock that Hello Caller is getting a theatrical release,” admits director Andrew Putschoegl. “Short films are hard enough to make, let alone find distribution.”
After the IFC Center, Slamdance’s On the Road tour will travel to Dublin, Ireland; Omaha, Nebraska; Salt Lake City, Utah; Houston, Texas; Seattle, Washington; Juneau, Alaska; Atlanta, Georgia; Los Angeles, California; Vancouver, BC; and Minneapolis, Minnesota.
About Slamdance – As a year-round organization, Slamdance serves as a showcase for the discovery of new and emerging talent and is dedicated to the nurturing and development of new independent artists and their cinematic vision. For the 2011 Festival, Slamdance received a record number of over 5,000 submissions and is well on the way to surpassing that record with the 2012 festival submissions. No other festival is fully programmed by filmmakers. Slamdance counts among its alumni many notable writers and directors who first gained notice at the festival, including Christopher Nolan (The Dark Knight), Marc Forster (Monster’s Ball), Jared Hess (Napoleon Dynamite) and Oren Peli (Paranormal Activity). New filmmakers and writers today realize Slamdance is a great place to launch their careers. In 2010, Slamdance began a Video on Demand partnership with Microsoft and has continued to expand its exhibition efforts theatrically through Slamdance On The Road. New filmmakers and writers today realize Slamdance is a great place to launch their careers. Slamdance 2012 takes place January 20th-26th in Park City and is currently calling for festival entries.

Originally posted: http://geekoverture.com/2011/10/06/superheroes-bfi-london-film-festival-preview/

Some things are just too surprising to be believed and too cool not to share. Visiting the BFI London Film Festival on October 18th, 19th and 21st is Michael Barnett’s documentary Superheroes, an insightful and, by all appearances, even-handed exploration of the expanding world of real-life superheroes in the United States.
In a style that raises fond memories of the pro-wrestling documentary Beyond the Mat, Barnett devotes to screen some pretty intriguing characters, all of whom are driven by some desire to do what they see as being right, some of whom are more convincing than others. The New York Initiative is a group based in Brooklyn who set out with some pretty admirable, if vague, goals: Lucid, a heavily-built, distinctively-tattooed hero described as being “from all over”, wants “to do something, to do anything […] I’m sick of the corruption I see everywhere I look, whether it is the boss at your work or the dude you know from next door who’s been beating his wife for twenty years.”
On the other hand, there’s Master Justice and Super Hero. You decide.
httpv://www.youtube.com/watch?v=7I1p3mKnD08
What connects them is a kind of thinking that comes straight out of comic book rhetoric, using words like ‘deeds’ and ‘vigilante’, and there’s an impression that a major motivation is self-centred. They’re trying to become the hero of their own stories by emulating a stock character: the lone good man in a corrupt world, all couched in the terms used by Batman, Wolverine and the rest. But does that make them crazy, misguided or even wrong to do so? The documentary enlists psychologists, members of the police force and even the man himself Stan Lee to dig into the question.
Superheroes have saturated popular culture in the past decade, and with this and comic/movies like Kick-Ass and Super emerging in recent years, it seems the phenomenon has only tightened its grip on our imagination.Update: The first showing of Superheroes has already sold out. Get your tickets while you can!

Originally posted: http://flickeringmyth.blogspot.com/2011/10/55th-bfi-london-film-festival-brings.html
The BFI London Film Festival brings you the real Kick-Ass with Superheroes
If, like Aaron Johnson’s character in the award-winning film Kick-Ass, you’ve ever had the urge to don a mask and fight crime, it seems you’re not alone as insightful documentary Superheroes hits the big screen at the 55th BFI London Film Festival this month.
Journeying into the world of real-life caped crusaders, Superheroes follows a group of superhero fans from across North America, who are taking the law into their own hands. From the steel-plated ‘Master Legend’ in Orlando to evil-defeating ‘Thanatos’ in Vancouver, director Michael Barnett uncovers and documents this growing cultural phenomenon of vigilantes inspired by their comic book idols.
Introducing several of the US’ most famous masked heroes, the feature documentary follows individuals such as real-life Kick Ass, Mr Extreme, a 33 year old security guard by day who by night patrols the streets protecting the innocent, and organised crime-fighting group, The New York Initiative who bait traps to lure evildoers. Though their motives may differ and there powers are less than super, their intentions to protect the community and fight for the greater good unites them along with a shared love of comics.
With interviews from Marvel Comics supremo, Stan Lee, psychologists and police representatives, Superheroes smartly addresses a number of serious issues about an individual’s responsibility, and provides a compelling portrait of these real-life superheroes as they try to make the world a better place.
httpv://www.youtube.com/watch?v=5zxCLbPncGk

Originally posted: http://www.washingtonpost.com/lifestyle/style/hbos-real-life-superheroes-are-gallant-yet-unsettlingly-goofy/2011/08/05/gIQAnjyz0I_story.html

Here they come to save the .?.?. well, that’s the problem with adopting the secret lifestyle and ethical codes of a “real-life superhero”: Nobody requires your services nearly as much as you’re hoping to provide them.Ultimately, as we learn in Michael Barnett’s compelling yet conflicted HBO documentary “Superheroes,” today’s supermen (and the occasional wonder woman) wind up handing out rolls of toilet paper to homeless people.
In “Superheroes,” which airs Monday night, Barnett travels the country to profile a handful of the 300 or so self-styled characters who are attempting to live a comic-book ideal. These are not the people you’ve seen at amusement parks and Comic-Con and along Hollywood Boulevard, who are simply playing dress-up for photo-ops. Something in the comics lore has spoken to real-life superheroes on a personal level, and they are serious — if perhaps a touch delusional. They see society as troubled, and they are especially disenchanted with law enforcement. “The N.Y.P.D., even the government is completely unreliable,” says Lucid, a Brooklyn-based superhero.Mr. Xtreme, a lonely San Diego bach­elor and frustrated jujitsu student, works by day as a security guard and spends his evenings wearing padded green-and-yellow regalia (including a limp polyester cape and a bug-eyed helmet), prowling the streets, searching for a sexual predator the TV news stations have dubbed “the Chula Vista Groper.”Meanwhile, in Orlando, the eccentric Master Legend drives around in a beat-up van and offers his services to the downtrodden, stopping frequently to treat himself to a can of beer from the ice chest he keeps in the back.Back in Brooklyn, Lucid and his more edgy clutch of masked avengers — they go by Z, Zimmer and a heroine named T.S.A.F. (which she says stands for “The Silenced and Forgotten”) — like to skateboard the city’s streets in the wee hours, hoping to attract muggers.Barnett employs an appealing style of comic-book panel animation to enliven the narrative transitions and give viewers a heightened sense of the ad­ven­ture that the heroes imagine themselves having — even if none of their adventures necessarily pan out.
Zimmer, a gay man who chooses not to wear a mask or use a hero name because it reminds him of being in the closet, glams himself up in hopes of luring nighttime gay-bashers. Lucid and the others wait in the shadows to come to his aid. When that doesn’t work, T.S.A.F. dons a miniskirt and lipstick and tries her luck at baiting rapists.
This tendency toward entrapment is where things get creepy, despite the tender care “Superheroes” takes to understand its subjects without mocking them. Many superheroes exhibit depressingly sour feelings about the larger world. They like to keep photos of Kitty Genovese on their walls and refrigerators for inspiration. She was the New York woman stabbed to death 47 years ago as dozens of witnesses overheard (and ignored) her screams. Genovese’s murder set off a popular and lasting notion of an uncaring, indifferent society.
What the superheroes in “Super­heroes” seem to willfully ignore is the remarkable drop in violent crime statistics over the past two decades — to say nothing of the post-Sept. 11 Homeland Security era that lit up our nights with security cameras and deputized every smartphone owner with the ability to upload crimes in progress to YouTube, which has helped catch miscreants of all kinds.
Yet things get darker (and dorkier) during a montage scene in which super­heroes proudly show Barnett the assorted weapons they’ve incorporated into their spandex ensemble: knives, nunchucks, sharp spikes, Tasers, retractable batons, maces, pepper sprays, blinding spotlights and lasers.
They’re all dying for some action, which has a way of making them seem more marginal, and embittered. A San Diego police lieutenant worries that these self-anointed vigilantes are going to hurt themselves (or hurt someone else); a psychologist wonders about their depend­ence on an alter ego.
Although the movie ends on a somewhat brighter note — following the heroes as they look after the homeless in their communities — even Stan Lee, the father of the Marvel Comics universe, expresses bafflement at these wannabes. If Stan Lee thinks you’re extreme, you might want to chill.
Superheroes
(83 minutes) airs Monday at 9 p.m. on HBO.

Originally posted: http://blogs.westword.com/latestword/2011/07/superheroes_hbo_document_denver_wall_creeper.php
By Joel Warner
Real-life superheroes, those brave (and some would say foolhardy) folks who strap on costumes and battle evil wherever they can find it, are reaching media saturation. They’ve become a staple of nightly news stations, scored a lengthy shout-out in Rolling Stone, and one of them, a lone soul who goes by the Wall Creeper, was profiled in these very pages. Next up? Superheroes, a new documentary film by Michael Barnett, to premiere on HBO on August 8.
Barnett, part of the Denver- and San Francisco-based production company Rehab, spent a year traveling around the country filming masked vigilantes — in particular Thanatos in Vancouver, Mr. Xtreme in San Diego, Dark Guardian and Life in New York, and Zetaman in Portland. The resulting film, which was a favorite at this year’s Slamdance Film Festival in Park City Utah, goes above and beyond the typical tongue-in-cheek fluff pieces on the matter. As Barnett told the Seattle Weekly:

Our first approach was to try and make people realize that each person is sort of eccentric in their own way, and they have their own reasons for doing what they do. It’s not a rational thing to do, to put on a costume and walk around a dangerous neighborhood…The other thing is showing their situation in life. Quite a few of them don’t have the resources to do what they do. But they want to help their community. Some of them were sad — financially, personally, and just in general. But it’s showing that out of that darkness they could rise above and try to do something good. It’s not all cookies and rainbows, though, it’s profoundly sad and tragic on a certain level.

Unfortunately, those hoping to catch a glimpse of Denver’s own superhero, the Wall Creeper, are bound to be disappointed. Rumor has it that the Wall Creeper has been inactive for some time now. Still, maybe sooner or later the Wall Creeper or some other local legend will soon step out from the shadows, ready to confront evil and score some face time on premium cable.

Originally posted: http://www.actoslitigation.net/real-life-superheroes/
Donning capes and masks these grown adults appeared as if they were getting ready to go trick or treating. Calling themselves “real life superheroes”, they seemed a little dorky at first.  The individuals featured in this documentary (written and directed by Michael Barnett) believe it is their duty to patrol the streets, fighting crime and picking up the slack that the police and other government institutions leave behind. As we follow the lives of several “real life superheroes” however, it becomes apparent that the work they are doing is not only beneficial to society, but vital to their communities.
The tone at the begging of the film seems to mock these cape and spandex wearing crime fighters. In the first few minutes of the film we take a tour of one man’s extensive action figure collection and watch as he sings along to  the Power Ranger opening sequence on his small television. He is known on the streets as the helmet and amor wearing Mr. Xtreme,  and he is the founder and  sole member of Xtreme Justice League, a citizen’s crime fighting organization in San Diego. His apartment is shabby and his social life is inactive to put it nicely. With a pot belly and no girlfriend, Mr. Xtreme  spends the free time he has between multiple day  jobs patrolling the streets hoping to prevent violent crime. We join him on a nightly escapade to patrol a part of campus where a sexual assault had been reported earlier. Although Mr. Xtreme runs into more hostility than appreciation from the community, (a guy threatens to call the police on Mr.Xtreme if he doesn’t leave his lawn), he is confident his presence, costume and all, is a deterrent to prospective offenders.
Next we meet Master Legend. He’s a long haired, middle-aged vigilante  who likes his beer and makes his own weapons out of cardboard and other household items. After cracking open a cold one he opens up about how his father was a member of the Klu Klux Klan and used to beat him. It was his loving and supportive grandmother, he says, who taught him that he had the potential to be a great force of good.  Turning past traumatic experiences into positive outreach turns out to be a reoccurring theme in many of hero’s lives we meet along the way. The commitment these ordinary citizens have to altruistic service is inspiring.  Every night  you’ll find Master Legend like many superheroes around the world (yes, it’s a global online community) handing out food and blankets to his cities homeless. A hero husband and wife duo hands out care packages every week to those living on the streets-the cost of which all comes out of their own pocket. Many of these heros have limited means themselves and it is astonishing the sacrifices they make in order to do what they do in their communities. When finances get tight Mr. Xtreme moves into his van rather than cease operation of Xtreme Justice League. You’ll come to really admire these quirky yet concerned citizens, as even director Michael Barnett admits he did in the midst of shooting this movie. What begins as a mockumentary becomes something very heartfelt as one grows  immense respect for these selfless individuals. Overall, this movie kills apathy and kicks evil villain butt!

Originally posted: http://blogs.seattleweekly.com/dailyweekly/2011/06/a_brief_conversation_with_mich.php
By Keegan Hamilton
Just when you think the media coverage of real life superheroes has reached a critical mass (see: Jones, Phoenix), somebody goes and makes a feature-length documentary film about the entire subculture. That somebody is director Michael Barnett, and his movie, titled simply, Superheroes, screens tonight and tomorrow as part of the Seattle True Independent Film Festival. (It’s also been picked up by HBO, and premieres on cable August 8.) Barnett, who is in town and will make a cameo tonight at Central Cinema, was kind enough to offer his thoughts on costumed crusaders and, of course, the Phoenix Jones phenomenon.
Why did you decide to make a documentary about real life superheroes?
Probably the same thing that drew you to it. It was fascinating. I just sort of stumbled upon these adult men who are putting on costumes to fight crime and help their communities. I just couldn’t believe it was real.
What surprised you most about these people?
It’s really tough to generalize. Everybody was so different. I guess what surprised me most was, we sort of went out looking for this pop culture phenomenon and found so many of these guys — there are literally hundreds of them — so we had to weed through the ones who are just online personalities, doing it as a sort of a cosplay thing. Then we sniffed out the ones who are really doing things — Mr. Xtreme in San Diego, Zetaman in Portland, Dark Guardian and Life in New York, and Thanatos in Vancouver — and focused on them.
A lot of people’s first impression when you explain the concept of real life superheroes seems to be something along the lines of, ‘Those people are nuts.’ How did you try and normalize them, or rationalize what they do? Or did you even try to do that?
Our first approach was to try and make people realize that each person is sort of eccentric in their own way, and they have their own reasons for doing what they do. It’s not a rational thing to do, to put on a costume and walk around a dangerous neighborhood. A lot of these guys don’t have proper training to do that sort of thing — some do — but most don’t. And in some states the laws allow them to carry some pretty serious weapons.
The other thing is showing their situation in life. Quite a few of them don’t have the resources to do what they do. But they want to help their community. Some of them were sad — financially, personally, and just in general. But it’s showing that out of that darkness they could rise above and try to do something good. It’s not all cookies and rainbows, though, it’s profoundly sad and tragic on a certain level.
You interviewed Stan Lee — the Godfather of comics, and the and former president and chairman of Marvel — for the film. What was that like and what were his thoughts on these so-called superheroes?
Stan is the man. He’s amazing. He’s awesome. And he’s 88-years-old!
We thought about trying to interview all kinds of figures in the comic world but ultimately we realized there was only one person we needed to talk to and that was Stan. He understands what it means to be a superhero better than anybody. A lot of these guys (the real life superheroes) are very wary of the media and kind of protective of their community. But once they heard Stan was involved it was pretty easy to get them at least on the phone.
Mostly [Stan] was worried that one of these guys is going to get killed or injured. And yeah, somebody is probably going to get hurt. It’s going to be a sad day for the superhero community when that happens but it seems inevitable.
Phoenix Jones isn’t in the film at all. Why? And have you met the guy? What are your thoughts on him and his impact on the superhero world?
Never met the guy, never had a conversation with him. There’s so many of these guys and we were meeting them [Phoenix Jones] didn’t even exist yet. When we were shooting we rolled through the Pacific Northwest and never even heard his name. And then while we were in production he sort of came out of nowhere and was suddenly everywhere. So I don’t know what my opinion is. If he is just in it for the attention it’s a bad thing. But he is trying to be iconic, and for a message of good so that’s a good thing.
Superheroes screens tonight at 7 p.m. at Central Cinema, and Barnett will be in attendance, along with several members of Seattle’s superhero scene. (Barnett notes that two other Seattle superheroes, Skyman and White Baron, appear briefly in the film.) The movie also will also be shown tomorrow at 1:30 p.m. at the Jewelbox Theatre and the Rendezvous. Ticket info here.

Originally posted: http://blogs.indiewire.com/spout/archives/2011/06/01/superheroes_hbo/
By Christopher Campbell
Add one more superhero blockbuster to your summer movie schedule.
I had heard a whisper of this a while ago, but now it’s confirmed: HBO Documentary Films bought the TV rights to Michael Barnett’s Slamdance hit “Superheroes,” a doc about those real-life costumed crusaders who are often likened to characters in the films “Kick-Ass” and “Super.” The funny thing is I didn’t realize it was official until I saw a magazine ad today for HBO’s summer doc series, which features a new premiere every Monday from June 6 through August 15. Other titles include such festival hits as “Bobby Fischer Against the World,” “Hot Coffee,” “Koran by Heart” and “A Matter of Taste: Serving Up Paul Liebrandt” (see the rest of the titles here). The news about “Superheroes” was also confirmed recently on the doc’s Facebook page, where I regrettably missed it earlier.
Of course I’m excited about all 11 films in the series (the only other I’ve seen so far is “A Matter of Taste”), but I’m especially happy for Barnett’s film, because it wasn’t seen by enough people in Park City and I know there’s a significant audience that will find it intriguing. Here’s a snippet of my review:

Often “Superheroes” comes off as also being more about the problems of the world than the costumed crusaders on screen. Through people like “Zetaman,” “Life,” “Mr. Extreme” and the simply named “Super Hero,” we are made to think about the issues of homelessness and violent crime, as well as police corruption and bureaucracy that lead to the necessity for these [Real-Life Superheroes] to pop up in cities across the nation…“Superheroes” will surely be a big hit with the RLSH crowd, of which there are hundreds more than the selected few in the film, as well as the Comic-Con/fanboy types. Plus it’s a well made, albeit fairly standard doc, without many flaws or bumps.

Fortunately, “Superheroes,” which is screening at Seattle’s True Independent Film Festival next week, is also apparently getting a small theatrical run in October and a DVD release in November.
Check out a trailer for HBO’s summer series, including footage of “Superheroes,” after the jump.