Tag thanatos

Originally posted: http://news.yahoo.com/s/yblog_weekend/20110401/ts_yblog_weekend/real-life-superheroes-really
By Jim Brasher
What are you doing this weekend? Going to brunch? Mowing the lawn? Fighting crime? Hmm…which one of these things is not like the other?
Welcome to the confusing, often contradictory world of self-described Real Life Superheroes. (That’s R.L.S.H for short). It’s a loosely affiliated community of people who develop their own superhero persona, put on costume and try to prevent crime in their neighborhood. And all without super speed, invisibility or wings.
So are they vigilantes or volunteers? Commendable or ridiculous? Is what they’re doing even legal? I decided to find out. Check out the video above for my night on patrol with “Motor Mouth.” But first, a little more about the cast of characters, starting with…

THE MASKED MAN:
I’ll admit, I had a few misgivings about meeting a masked stranger decked out in Kevlar and leather in a dark garage. But as you can see in the video, those fears dissipated the moment Motor Mouth started talking. (Turns out, he never really stops talking.) He’s intense, driven, but also has a great sense of humor about the path he’s chosen.
“You have to be a little eccentric,” he said, “there’s no question about it. You gotta be eccentric and you gotta have a little bravado about yourself.”
We went on patrol in downtown San Jose, California with Motor Mouth, Anthem and Mutinous Angel. A typical night on patrol involves lots of walking and plenty of curious stares. But for Motor, his costume is a symbol, a visual reminder that someone in the night is paying attention.
“We’re just like that average man in his mid-forties or fifties going ahead and patrolling his neighborhood in a neighborhood watch group, except we do it with a little bit more flair,” he says. And, he insists, they’re out there as a deterrent only.
“We don’t want to get in the way of the police,” he says, “we try to work with them to the best of our abilities, because we do not see ourselves as vigilantes, not in the slightest.”
(A vigilante is someone who effects justice according to their own understand of right and wrong; someone who punishes an alleged criminal suspect outside the legal system. And that, as you may have guessed, is illegal.)
So Motor Mouth espouses a ‘deterrence-only’ philosphy. But the first rule of the R.L.S.H community is that there are no rules in the R.L.S.H community. (No formal ones anyway.) And not everyone subscribes to the same theories about what it means to prevent crime. So to get a wider view, we spoke to…
THE DIRECTOR:
Director Michael Barnett and producer Theodore James spent a year on the road, following close to forty Real Life Superheroes all over the country for an upcoming documentary called… Superheroes. They were kind enough to share some of their footage with us, and we met Barnett at Arclight Cinemas in Hollywood for an in-depth conversation about his experience.
“There’s not one thing the RLSH community focuses on,” he says, “they really do focus on everything, every aspect of the community, and how to make it better. And the thing that drives all of them, is people who do not care; that’s their mission, change the people who do not care to caring people.”
You can watch more of our interview with Barnett here. And stay tuned to this page for breaking news about when and where you can see the film.
THE LAW & THE GOOD NEIGHBORS:
We also spoke to Cindy Brandon, executive director of San Francisco SAFE (Safety Awareness For Everyone). SF SAFE is unique, a non-profit organization that works in partnership with with the police to provide neighborhood watch program to the residents and businesses of San Francisco.
She stressed the importance of alerting the police to any suspicious activity. “If you see a crime in progress,” she says, “your first reaction should be to call 911.” Getting involved in trying to stop a crime is a risky proposition.
“If they do intervene they’re putting their own life in jeopardy. While I think each person can make that determination themselves when they witness something happening, we tell people not to get involved, but to go into a safe place and call the police right away.”
Actual law enforcement officials stress the same message. According to Lieutenant Andra Brown of the San Diego Police Department, real life superheroes, “don’t have the backup that we have, and trying to take a situation into their own hands could perhaps get out of hand for them, and it could actually create more work for the police officers.”
“Now we perhaps have another victim we have to deal with, we have someone who maybe has been represented to be part of law enforcement, or an authority if you will, and that can confuse other people out on the street. So yeah, there’s a lot of situations where they could impede what’s going on, or what a police officer needs to take care of.”
THE ARTIST:
Like many members of the real life superhero community, Motor Mouth got his inspiration from the pages of a comic book. So we commissioned artist and performer Kevin McShane to create two original comic book panels for our piece, based on footage from our piece.

FINAL THOUGHTS:
Motor Mouth, Mr. Extreme, Mutinous Angel, Thanatos, Dark Guardian, Master Legend, Life, Crimson Fist, Zimmer, Saph, Ghost, Asylum, Red Voltage, Zetaman. Their reasons for putting on a costume are as colorful and varied as their names. While I learned pretty quickly that it’s next to impossible to generalize about the Real Life Superhero Community, many share a common nemesis: apathy.
According to Motor Mouth, fighting apathy means “trying to awaken the minds of the public to the little bit of more they can do in society, to make the world a better place.”
They certainly had an impact of director Michael Barnett. “In the end, I found something pretty profound. I found people with often times very little resources doing really, sort of small but beautiful things to make their communities better.”
What do you think? Watch the video and let me know.
Video: http://news.yahoo.com/s/yblog_weekend/20110401/ts_yblog_weekend/real-life-superheroes-really
Video featuring Michael Barnett: http://news.yahoo.com/s/yblog_weekend/20110401/ts_yblog_weekend/we-interview-michael-barnett

Phoenix Jones Fights Villains With a Taser, But Zetaman Thinks That’s None Too Safe
Originally posted: http://online.wsj.com/article/SB10001424052748703408604576164641263773656.html
By ASHBY JONES

“Superhero’ Phoenix Jones, top, uses a cell phone to help monitor possible crimes.

SEATTLE—Life isn’t easy for the self-proclaimed superhero who calls himself “Phoenix Jones, Guardian of Seattle.” A 22-year-old day-care worker by day, he dons a black-and-gold costume by night to harass drug dealers and break up street fights.
But he’s having a harder time dealing with his latest nemeses: members of the “Real Life Superhero” (RLSH) movement.
This world-wide collection mainly of grown men with names like Zetaman, Knight Owl, Dark Guardian, and Mr. Raven Blade, have taken to grumbling about Mr. Jones, who has recently been getting more publicity than they do, partly because of his aggressive style.
The RLSHers, many of whom stick to charitable works like delivering food to the homeless, are concerned that Mr. Jones’s physical approach might not reflect well on the superhero community, which has worked hard to convince people that it isn’t just a group of comic-book geeks with inflated notions of their own importance but, rather, a force for good in the world.
“For the first time, we have someone who agrees with our overall purpose but doesn’t agree with our methods,” says Knight Owl, a Portland, Ore., member of the RLSH world who, like the others, refuses to give out his real name.
“I suppose it was bound to happen, but it’s definitely a growing pain within the community.”
Mr. Jones, who declined to allow his real name to be published but whose back story checks out, dismisses the criticism. “I may be eccentric, but I’m not crazy,” he says. “I really am here to help the people of Seattle.”
Real Life Superheroes, who seem to favor masks and dark clothing—sometimes emblazoned with homemade logos (like the Superman “S”)—exist in pockets all over the world. Some, like Knight Owl and Thanatos, based in Vancouver, British Columbia, typically focus on charitable activities.
Others, such as New York’s Dark Guardian, patrol areas known for drug activity—a bit like the city’s old subway-riding Guardian Angels. Dark Guardian shines lights and takes videos to try to deter crime nonviolently, and he makes emergency calls to 911.
“Mostly, they’re relatively normal people trying to help out and have a little fun along the way,” says Tea Krulos, a Milwaukee writer working on a book about them.
Phoenix Jones is different. In the 10 months since he became prominent, he has shown a willingness to thrust himself into dangerous situations.
A mixed martial-arts fighter, he broke his nose last month while breaking up a fight, and he says he has been shot and stabbed, too. He often travels with a posse, sometimes carries a Taser nightstick and tear gas, and repeatedly has himself been mistaken for a criminal.
One Friday night, Mr. Jones and several sidekicks—two quiet men called Buster Doe and Pitch Black; a young woman named Blue Sparrow; and a superhero-in-training called Ski Man—spent several hours making the rounds on the streets of Seattle.
Mr. Jones posed for the occasional cellphone photo with revelers outside night spots in several popular neighborhoods. But, he says, the attention “distracts me from my mission.”
Outside a bar, Mr. Jones chastised a man for yelling at a downtrodden passerby.
“Let’s keep it cool; let’s all have a good night,” he said to the man, who quickly backed down.
From there, Mr. Jones chatted up late-night loiterers in areas known for drug dealing. “Stay safe tonight,” he said. “Stay warm.”
Later, the superheroes ran after a swerving car, suspecting a drunk driver, but the car raced away and, alas, they can’t fly. Capes, also, are unfashionable in the superhero world: “They get caught on everything,” says Mr. Raven Blade.
Little crime-fighting took place that night. “That’s the thing,” concedes Mr. Jones. “When there’s nothing going on, you feel pretty silly in this outfit,” he says, referring to his costume, which he says is equipped with the latest body armor.
Detective Mark Jamieson, spokesman for the Seattle Police Department, applauds citizens’ willingness to get involved in their communities and says the department has received 911 calls from Mr. Jones.
But he worries about things getting out of hand. “Our concern is that if it goes badly, then we wind up getting called anyway, and we may get additional victims.”
It’s that kind of scenario that frightens other RLSHers.
“Whether intentionally or not, he’s representing the [superhero] community now,” says Knight Owl. “And that makes some people nervous.”
Mr. Jones says the RLSH group initially resented his quick move into the spotlight, and blackballed him when he later tried to make nice. So Mr. Jones ultimately started his own group, called the Rain City Superheroes. He says the group’s mission is decidedly different from the agenda of the RLSH gang.
“Handing out food to the homeless is an entirely worthy thing to do,” he says. “But it’s not what superheroes do. If you’re going to drive a fire truck, people are going to expect you to put out fires. If you dress up like a superhero, people are going to expect you to fight crime.”
Last month, in an effort to patch things up, members of the two groups met up in Seattle and went on a late-night patrol of the city.
According to Mr. Jones and others present, the night didn’t go entirely smoothly. At a coffee shop following the patrol, Mr. Jones and Zetaman, a Portland superhero, argued over Mr. Jones’s approach. Zetaman declined to comment. But on his blog, he recounted telling Mr. Jones: “[A]ll of us are afraid of one day someone is going to get killed and it’ll be all over.”
Added Zetaman: “I don’t need this kind of macho c— in my life and I don’t need to prove myself to anyone, least of all to Phoenix Jones and his Rain City Superhero Movement.”
The night of the patrol, Zetaman left the group early and went back to his hotel.
Responds Mr. Jones: “I don’t see the point in handing sandwiches to homeless people in areas in which the homeless are getting abused, attacked, harassed by drug dealers.”
Since then, the two groups—the Rain City Superheroes and the Real Life Superheroes—have pretty much gone their separate ways.
“We’re not one giant family,” says Knight Owl. “After all, we’re a colorful collection of individuals. We’re superheroes.”
Write to Ashby Jones at [email protected]

Originally posted: http://theminaretonline.com/2011/02/24/article16780
By ??Richard Solomon

??Ever seen a real superhero? Ever met someone in a mask who had been shot? When I stumbled upon an article about a man in Seattle who wore a costume and fought crime, I had to find out more. After reading more articles, sending emails and making phone calls I was granted the opportunity to meet some superheroes and go on patrol with them. This is my story about flying across the country, visiting Canada, staying up all night following guys in masks in the worst parts of Seattle and Vancouver and coming back to tell the tale. I video taped people trying to break into a car, saw a life get saved and didn’t even know it at the time, and managed to meet some of the most incredible people you could ever imagine.
Knight Owl parked his car outside of Vancouver’s Mountain View Cemetery where fellow superhero Thanatos was going to meet us.
Earlier that day I had flown into Seattle. Knight Owl met me at the airport. I had seen pictures of him online in costume, but he met me in normal street clothes. He looked nondescript and average. He would be the first of several superheroes I would meet over the weekend.
Who are real-life superheros? They are people who wear costumes and adopt monikers in order to help others. They are people who keep their real identities secret and in some way obscure their appearance. (Knight Owl, for example, keeps part of his face hidden and Thanatos completely covers his head.) For some, this secrecy is meant to keep their families safe, while others believe that the symbol of their alter ego is more powerful than their true-life, street-clothes persona.
Saving Lives, On My Own Time
Back in the cemetery, Knight Owl and I headed to the circle of graves where Thanatos was supposed to meet us. But before the cemetery there was the drive to Vancouver from the Seattle airport– three hours in the car with the first superhero I had ever met.
Knight Owl does mostly humanitarian work. He patrols occasionally with other superheroes in Portland, Oregon or in Vancouver, but mainly participates in homeless outreach.
Although he does not handle a lot of crime prevention (“In two years of patrolling, I’ve never once been in a dangerous situation”), he knows what danger is. As a paramedic in training and a former firefighter, he has the perfect response for critics who tell superheroes to quit and leave things to law enforcement. “I’m a firefighter,” he said, “and I choose to go out on my own time and help save lives, for free. How can you criticize me for that?”
To Knight Owl, being a superhero is about saving lives, whether that means giving food to the homeless or knowing first aid in case someone on the street needs help. Beyond the activities, he has also done his homework on the superhero appearance.
He told me of the additions he would soon be making to his suit. Among them, a cowl lined with a kind of rubber polymer that would harden when hit to protect his head; and a gadget that would create brief bursts of fire to scare off would-be attackers. As he related, just because he has never been in a dangerous situation does not mean he should not be prepared for one.

Amongst the graves, we searched for Thanatos’ usual meeting spot. At first, all I could make out was a dark shape emerging from the dim light of the cemetery. He got closer and I recognized him. As impressive as it was to meet Knight Owl, nothing could have prepared me for Thanatos.
Clad in dark clothing with a distinct death motif, Thanatos (Greek for ‘death’) exuded a mocking image of the Grim Reaper. From a tie covered in skulls and cross bones to a death-themed utility belt, every part of Thanatos’ attire was covered in death symbols.
He had on a long black coat, the aforementioned tie, a flat brimmed hat and all of the skulls looked more like they were from a Halloween novelty store than on a grim reaper’s attire. The overall effect was imposing and awe-inspiring. I didn’t feel frightened, but a criminal might have a different opinion on that.
Yet, his costuming’s dark theme contrasted with the cheerful optimism of the man under the mask.
Thanatos is arguably the most well-respected member of the superhero community. With a MySpace blog over two years old, Thanatos has been consistently doing homeless outreach since his first night out on Halloween 2008.
Thanatos and I did laps around the cemetery for close to an hour. He was open about his mission and about how he feels he is affecting the city of Vancouver.
“I don’t think I’ve made [Vancouver] any worse,” he said. “I know there are those who feel inspired enough to do something because of me.”
He said he was inspired by old comic book superheroes, specifically citing a “Superman” issue in which Superman attends a charity event. “The more you do, the more you have to work with,” he said. “It’s not just crime-fighting.”
He felt that the homeless people of Vancouver live with death every day to the point that he wanted death to start looking after them.
“Something has to be done, and there has to be a way to draw attention to it,” he said.
“There’s just too many people dying on the streets. It’s too easy to die on the streets. . . . I am a parody of the death. Where death walks around and dispenses grief and sorrow, I walk around and I dispense life.”
So he put together a costume and called himself Thanatos. His costume is not only aesthetics and skulls though. There is a surprising amount of functionality in what he wears. A utility belt with everything from a flashlight to marbles (“Have you ever seen The Defender?” he asked me), a multi-tool and cell phone close at hand.
But why wear a costume?
“I do it in costume because what I’m doing is much more important than who I am,” he said. “I was told by a cop that people on the street had nothing better to live for than to look forward to death. I said, ‘If that’s the case then death better start taking a hand at taking care of them.’ That’s where the costume came from. It got modified because I realized walking around with a big scythe and long robe wasn’t going to work.”
He believes this symbolism works. “People aren’t stupid, they get the idea, they know what I represent. I represent death. Death is so common now that he’s walking around on the street taking care of them. People get it. It’s a very powerful symbol. I put on the mask, take on the persona and here’s someone from Florida just to interview me.
“It’s not just me doing it either, and it does work. It draws attention to the problems, whether it’s high crime in Seattle or homelessness in Vancouver.”
Thanatos goes out whenever he can to distribute bundles of goods such as bread, peanut butter, socks, a razor blade. His goal is a noble one.
“You do what you can,” he said. “I give out my bundles. I do what I can, I’m keeping that person alive for one more day. That’s quite a victory over death. If I do my normal handout and I hand out 10 bundles, that’s 10 victories.”
Homeless outreach is not all he does. Whether he is dressed as death or in street clothes, Thanatos also observes area street gangs and drug dealers.
He takes copious notes on who sells what– and where– and copies down license plate numbers and makes notes on where those cars travel. He will submit this information to the police and he said he has previously succeeded in helping get drug dealers arrested.
A Man Named Armando
After the interview, Thanatos drove Knight Owl and I around some of the bad areas of Vancouver. We finally stopped outside of a homeless shelter, where the three of us handed out items. People were openly grateful, thanking us over and over. The Minaret t-shirts I had brought with me to distribute were a hit and the razors I had also packed vanished right away.
Thanatos had shoes, pants, and other goods. Everything vanishing in a matter of minutes. Some recognized him, others asked who he was. Several of the more nervous people came up to me to ask me who he was. I explained what he did. I was surprised that for many of the homeless I met that night, they just wanted someone to talk to. They were grateful for what we were handing out, but they were also grateful to have someone actually listen to them.
We got back into Thanatos’ vehicle (he drove with his mask off to avoid being pulled over, not at all concerned that I could see his face) and headed back to Knight Owl’s car. Along the way Thanatos told me a story about a man named Armando.
Armando and his family walked to Vancouver all the way from Chile. They were being tortured by police in Chile and finally had to leave. The police cut off all of Armando’s fingers. His wife was raped and had her breasts cut off. Their torturers then mutilated her face and tried to cut off her nose, but failed because they cut upwards and the knife got caught on the septum. Surprisingly, Thanatos told me that Armando is one of the most cheerful men he has ever met. I thought about how the average person must treat them– looking away from the woman with the scarred face, ignoring the man with no fingers. These were people who just wanted help. And Thanatos was doing what he could to help them, one bundle at a time.
We dropped off Knight Owl and then Thanatos took me to the Vancouver train station. It was only 1:15 a.m. Thanatos apologized for the early night. He explained he had to be up for work at five and needed some sleep.
The rest of my night had nothing to do with superheroes but was important nonetheless. The train station was closed and Thanatos had already driven off. I didn’t have his phone number and I knew Knight Owl was busy. Two shifty guys nearby started talking louder, looking at me and then walked towards me.
I made a quick decision and began walking. I couldn’t stay at the station, but I knew nobody in Vancouver. I realized suddenly that I had nowhere to go and almost nobody knew where I was beyond I was spending the night in Canada. If something happened to me nobody would notice until I missed my interview the next day. I was wandering the streets of the worst part of Vancouver.
I was carrying a camera, my laptop in a backpack and a duffel bag of clothes. If you’ve ever been (un)fortunate enough to be alone in the worst part of a city in a foreign country with no one to call and nowhere to go, carrying all your possessions and being eyed up and down by what seems like every shady-looking person in the area, you’ll know exactly how I felt.
I couldn’t run with all the bags I was carrying. I wondered if homeless people feel this same way; having everything that matters to you fit in a few bags, nowhere to go, hoping to stay safe. But I just had to make it through a few hours, they live with this feeling every day.
I ducked into a 24-hour diner full of people and nursed a coffee and milkshake for three hours. I didn’t get mugged or hurt that night, but whether that’s because of dumb luck or actual safety I can’t say. I wondered if my trip to Seattle the next day would be less eventful. I had no idea what I was in for.
Harder Than the Last
The next day, Saturday, I was set to see Phoenix Jones. If Thanatos was the most respected member of the Real Life Superheroes community, than Phoenix Jones was certainly the most famous. Media continually begged him for interviews. He even has his own Wikipedia page.
Jones has become an Internet sensation, with articles about him going viral. He has been stabbed, shot, tasered, and had his nose broken, but he still fights crime on the streets five nights a week.
At just after midnight on Sunday, I paced anxiously outside of my hotel. A friend, George McCaughan, was with me. He had flown up from Tampa that morning to go on this adventure for himself and take pictures.
At 12:30 a.m., a car rolled up in front of us with three superheroes inside: Buster Doe, Pitch Black, and the famous Phoenix Jones.
From the moment he began talking, it was obvious Jones was a very intelligent man. His suit was absolutely incredible. It sports a ballistic cup to deflect bullets, along with leg plates to protect his inner thighs; a bulletproof vest underneath stab-resistant armor that was lined with blood-coagulating packets; and even special gloves. I recalled Knight Owl telling me of the hardening rubber material he wanted to get for his cowl; Phoenix Jones had this material in his gloves, meaning that every punch he threw would literally be harder than the last.
He demonstrated this to me by whacking his gloves emphatically against the hotel desk. I tried it myself and felt the gloves get harder the more forcefully I hit them.
Jones also had a working utility belt. It lacked the death theme that Thanatos’ had but was efficient nonetheless. A taser, tear gas with special properties, and a cell phone were also part of the outfit.
It’ll Ruin My YouTube Clip
Phoenix Jones first sprang to life in a water park in Seattle. “I was at Wild Waves with my son,” he said.
“At the end of the day we were going back to the car and we always race back.” He said someone had broken into his car and the glass from the window cut his son’s leg. Jones was doing his best to stop the bleeding and hold his son’s leg together when he saw someone close by with a cell phone. As Jones recalled, “I asked him to call an ambulance and he said, ‘I can’t, it’ll ruin my YouTube clip.’”
Later, police told him they could not find the person who had broken into his car. Jones had found a mask wrapped around a rock in his car, the tool the burglar had apparently used to break the window. He called the police to tell them of the discovery. They never called him back.
A few weeks later, Jones was outside a club and saw a man get struck down with a club (the man would have a large scar for the rest of his life). He ran to his car to get his phone and saw the mask the burglar had wrapped around the rock to break his window sitting in the glovebox, where he’d left it after he found it. On a whim, he grabbed the mask instead of his phone and ran back. He chased the assailant down– wearing the mask– and succeeded in holding him down on the ground until the police arrived. When they asked him who he was, he replied, “Phoenix Jones.”
He explained to me that the Phoenix part of his adopted name comes from the mythical creature that rises from the ashes, signifying life from death, birth from destruction. Jones, he said, was because it was a very common last name and he wanted to represent the common man.
Like Knight Owl and Thanatos, Jones feels the real foe he is fighting is apathy. A man who would rather film a kid being hurt than call the police is the exact kind of person Jones hope to inspire to change.
The Superheroes of Seattle!
After the interview we went back to the lobby where Buster Doe and Pitch Black were waiting for us. Before heading out, Jones delineated the roles for the evening. “Buster Doe, you’re on backup duty,” he said. “Pitch Black, you call and then backup Bus’ if needed.” If Phoenix got into an altercation, Buster Doe was to help him out as needed while Pitch Black called the police. Once the phone call was done Pitch Black was to help Buster Doe if the situation hadn’t been settled already.
Though there were only three out that night, there are actually 11 members of the Rain City Superhero Movement. Jones is the leader of the group. The others go on patrol with him as often as they can.
Jones also told me that there would be several people in plain clothes shadowing us all evening. They were unknown members of his superhero group who would all be carrying cell phones and guns. If someone pulled a gun on any of us, we would have someone nearby to pull a gun on them. I kept an eye out all night and, despite the warning, did not notice anybody until Phoenix Jones told me the next day who the shadow forces were. I went through the photos of the night and, sure enough, the same people were around us multiple times.
We walked up and down busy streets just as the bars closed. Reactions to the superheroes differed wildly. Some people became excited and begged for a picture with them. Others shouted obscenities. A few inebriated revelers became scared. Most of the women we came across were eager to get a photo with Phoenix Jones, usually inviting him home with them. “I lost my hotel room,” they would say. “Can you help me find it?”
Most people seemed to recognize the trio, some shouting, “It’s the superheroes of Seattle!” I heard constant references to “Kick-Ass,” a movie that all superheroes seem to praise and hate in the same sentence. They think it portrays the process of becoming a superhero well, but the over-the-top violence and the lack of planning the character Kick Ass puts into his costume seem to turn them all off to it.
Throughout the night, Jones was unfailingly polite to everyone. He would greet people and ask how they were, if they needed help. Nothing was too small for the superheroes– whether it be getting ready to break up a fight, stopping to talk to people about staying safe, and making sure a drunk man did not hit his girlfriend.
During our patrol, I spotted countless police around us. Some were in cars, while others were on bicycles. All of them managed to glare at Jones.
The “Jones Patrols,” as he called them, were a direct result of his activity. “The mayor of Seattle got upset that I was stopping all these crimes and the police weren’t,” he said. “He made a rule that every single officer has to spend at least an hour of their shifts on the street. . . . You can argue that I’m not helping or that I’m not effective, but because of me there are more police officers patrolling the streets. I’d say that’s a good thing.”

They Are Not Batman
Roughly halfway through the night we came upon three men trying to break into a car– using a screwdriver, a crowbar, and a hanger all sticking into the door and trying to force it open. Jones asked them what was wrong. One of the men said he had locked his keys in his car. We were on a fairly busy street and Jones asked if they would like him to get a police officer. The men looked uncomfortable at this idea and declined, despite Jones insisting that a cop may have something on hand to jimmy the lock.
The men looked shiftier, so Jones decided to talk to a police officer. He and Pitch Black went off with George to find a cop while Buster Doe and I stayed behind by the car. The three would-be car thieves glanced uneasily at my camera but didn’t say anything because I wasn’t taking pictures. (I was actually video taping the whole thing, including the license plate of the car!). While we waited, two officers rode by us on bicycles, but did not stop or say anything about the car with a crowbar sticking out of one of its doors.
Jones reported back something similar. Police said they did not have anything to open the door. When he raised the possibility of it not being the men’s car, he said they just shrugged. In that type of situation, Jones explained he could not do much after notifying the police. We moved on.
Real-life superheroes are not vigilantes. A vigilante is “any person who takes the law into his or her on hands, as by avenging a crime” according to dictionary.com. Another definition on the same site notes that is an act “done violently and summarily, without recourse to lawful procedures.”
Jones and the other superheroes are not vigilantes. They all learn their local laws and call the police whenever something happens. They do not break the laws and they do not take justice into their own hands. They are not Batman. They are much realer than that.
In fact, Phoenix Jones thinks Batman is one of the worst superheroes to be influencing people.
“As Bruce Wayne, a billionaire, he spends eight hours a day doing nothing and pretending to be a careless jerk. Then he spends four hours every night fighting crime? How about instead of beating up some drug dealers you buy their house. How about instead of fighting gangs you buy the neighborhood and clean up the streets.” I had asked Jones earlier about what he did for a day job and he revealed he was a professional MMA fighter and worked with autistic kids when he wasn’t fighting. In many ways, Bruce Wayne has nothing on Phoenix Jones.
After the car incident, things were mostly quiet. We went down a lot of dark alleys and kept an eye on those who were especially drunk or loud.
At one point, we walked by a woman passed out on a stoop in front of a doorway, neck bent at a horrible angle, breathing shallowly. A shady-looking guy with her said she was fine and friends would be along soon to pick them up. We asked if he wanted an ambulance but he insisted no. We told him to at least fix her neck and he rearranged her.
The girl worried us so we stayed close by, unsure of what to do. The woman looked like she may need real medical attention, but on the other hand perhaps she was indeed fine. A steady stream of people walked past her, unconcerned.
Finally, the decision was made. Pitch Black called an ambulance. While he was on the phone, two policemen rode by, again on bicycles. I watched one glance at the woman, clearly unconscious, and then keep going.
Within a few minutes, one ambulance, then two, pulled up. Another came after that. The woman’s “friend” moved further away and by the time the third vehicle arrived he had disappeared. We heard the paramedics say the woman had low vitals and Phoenix Jones observed a tube being put down her throat.
Emergency Medical Technicians took her away. I received a phone call from Jones a few days later. Apparently he had received an e-mail from someone saying they were friends with the woman. The friend wanted to thank him. The woman had asthma and that combined with a little too much “fun” were causing her to asphyxiate. She may have died if we had not called an ambulance. I thought of the shady guy near her, the police who rode by, and the people who walked past. None of them had looked even a little concerned.
It was late enough that we decided to call it a night. The heroes led us to a 24-hour café, Night Kitchen. Jones and Buster Doe ordered Sprites and some fries to split, while Pitch Black asked for Limeade. Apparently lemon-lime is the flavor of choice for masked crusaders.
Jones headed to the bathroom to take off some of his costume, mainly his chest piece. The way his suit is configured leaves him with less mobility for his head.
“Remember in Batman,” he said, “when Bruce Wayne asks Morgan Freeman to make some changes to his suit and Morgan Freeman goes, ‘You want to be able to turn you head?’ You have no idea how true that is.”
Jones kept his mask on, but put on a simple t-shirt over his bulletproof vest. The five of us sat there for an hour while the heroes exchanged stories. Jones told us about some of his first patrols and showed me photos.
At about 4:30 in the morning we called it quits. Buster Doe drove George and I back to the hotel.
And that ended my weekend with superheroes. I had the opportunity to see two of the biggest names in the superhero community, and meet people who stop crimes and feed the homeless. I saw an entire community that is relatively unknown doing what they feel is right and changing lives in the process.
Interested in learning more about superheroes? Check out RealLifeSuperHeroes.org and RealLifeSuperHeroes.com to find out more.

Originally posted: http://www.thejibsheet.com/?p=4652
By Jeremy Graber

Locals call the restaurant and shop area on Alaskan Way “the aqueduct.” The street is lined with businesses such as Red Robin, Ye Olde Curiosity Shop, and ferry services which shuttle tourists to and from Bainbridge Island.
To the less fortunate, this area is called home along with other spots across Seattle that provide shelter from the cold and wet weather after the sun sets and the strip closes for the night. These are the people who were unable to get into the many homeless shelters that are found throughout the city.
Many shelters have entrance requirements such as passing drug and alcohol screenings, background checks, and sex offender checks. Those who do not fit the bill find themselves put back onto the streets to fend for themselves.
The Union Gospel Mission Men’s Shelter has room for 209 people per night, which includes 104 homeless people that are part of their residential recovery program, a program created to help those suffering from substance abuse find long-term solutions to attaining a better life.
Among other services, this specific shelter offers occupation counseling, spiritual guidance, and programs specifically designed for women and children. They have staff on duty 24-hours a day to receive donations and to aid in emergency intakes when they have the room.
Late at night a “Search & Rescue” van patrols the streets handing out blankets, food, and clothing to those that are camping in doorways. There are anywhere between 10 and 20 people standing outside of the Mission’s doors on 2nd Avenue, hoping they will be let in or wandering with no place else to go.
If you come back to Alaskan Way after the businesses close, it is painfully obvious that it is not enough to take care of those in need. On Saturday night, two brothers were huddled together with their dog hiding in the bushes under the overpass below the Pike Place market.
“We’ve been homeless for about two and a half years now – only in Seattle for about a year,” the oldest said. His youngest brother claimed to be 18, but it he was obviously far younger. The two had been hiding from the police that force them out of the area during the day.
A coalition of approximately 10 superheroes from Seattle, Portland and Vancouver (Canada) spent close to 18 hours on Saturday handing out food, hygiene supplies, and provisions to the needy which included the two brothers. They pointed out various encampments throughout Seattle where people had been taking shelter.

One such place was under the 6th and Cherry street overpass where at least 30 people were under blankets, sleeping bags, and ponchos. Their possessions were cluttered together in piles of various sizes which indicated how long they had been there.
The encampment was inhabited by those who were sober and those who were obviously not. There was a married couple who found themselves homeless within the past few weeks after they had been evicted. Underneath an American flag, two veterans shared a spot where they racked out for the night.
For two hours, the group of super volunteers unloaded supplies from a minivan and conversed with the inhabitants. Skyman, a native of Seattle, had prepared almost 100 bundles that he called “Sky packs” which contained 2 puddings, a granola bar, two pairs of socks, and hygiene items.
Knight Owl, a superhero from Portland, gave medical attention to a man whose hands were badly injured while defending his possessions from a gang that frequently raids their shelters.
“They come in the night as we’re going to sleep to steal our things,” one of the homeless said. He describes a group of 8 or 9 men that rob and attack them on nearly a nightly basis. He added that “many of the people here can’t get into a shelter because they don’t pass the drug tests.”
The people under the overpass pointed out that it is hard for many of them to stay clean because of a white van that comes by selling drugs. “Those who are struggling with their sobriety find themselves unable to say ‘no,’” commented Thanatos, one of the superheros from Vancouver, Canada.
A spokesperson from the Seattle/King County Coalition on Homelessness said stories like this are all too common. People are assaulted and what little they have is taken from them, sometimes by the people that they share the same space with. “More needs to be done to help them, we just need the resources to get the job done,” the volunteer said.
As federal and state resources shrink, many of these shelters are relying heavily on the donations from their local communities. With a shrinking economy, outreach programs are finding themselves with less and less to work with.

Originally posted: http://www.msnbc.msn.com/id/41121744/ns/us_news-giving/#
But Real Life Superheroes don’t have superpowers and most don’t fight crime

By Jim Gold
Crusaders costumed in tights, capes, cowls and other accoutrements are turning up with surprising regularity in American cities to fight what they consider their biggest enemy: public apathy.
They call themselves superheroes and, with names like Dark Guardian, Red Dragon and Viper, they might be right at home on the pages of comic books. But unlike their ink-and-paper counterparts, they can’t fly, vanish into thin air or outrun a speeding locomotive. And they usually are armed with nothing more than good intentions — and maybe a camera and cell phone.

The Vigilante Spider, who has spent 11 years performing acts of goodness around San Diego, is a member of the Real Life Superheroes. The group has nearly 60 members, who don tights, cloaks and cowls to spread the message that ‘everybody can make a difference.’ Here he’s shown in a new documentary, “Superheroes.”

For the most part, they don’t really fight crime either. Most take on missions to help the homeless, raise money for charity or just lend an ear so someone in trouble knows they care.
“There’s a hero in everybody,” said Dark Guardian, who has patrolled the streets of New York for eight years, resplendent in a blue bulletproof and stab-proof vest with “DG” on the chest.  “Everybody can make a difference; we are just a drastic example of what people can do.”
Many costumed do-gooders are loosely aligned under the Real Life Superheroes banner. The group’s website lists nearly 60 members, complete with profiles and portraits. But there appear to be a lot of sidekicks and other prospects waiting in the wings: Nearly 800 contributors participate in its forums, planning meet-ups, exchanging tips on the best gadgets to carry in a utility belt and even consulting an unofficial manual offering guidance on issues such as hero health and legal considerations.
A broken nose for his troubles
A few have crossed the line into real superhero territory — with painful results. That’s what apparently happened to “Phoenix Jones, Guardian of Seattle,” after he became an international media sensation with a run of publicity that included a Jan. 7 appearance on ABC’s “Good Morning America.” A week later, Jones said his nose was broken when he was kicked in the face while trying to break up a street fight between two men, Seattle’s KOMO-TV reported.
The masks and the occasional ventures into real world crime fighting make police understandably nervous.
Masked people at crime scenes is a recipe for disaster, Seattle police Detective Jeff Kappel said, noting that officers often arrive at chaotic scenes where they must quickly sort out suspects from victims and bystanders.
“Put yourself in our shoes,” he said. “… We don’t know who we’re dealing with when we show up.”
And police Lt. Troy Potts of Columbia, Tenn., where police last summer ran off a crusader known as Viper by warning him that he was violating an ordinance barring adults from wearing masks in public, said there are better ways to fight crime.
“Be the best witness you can be,” he said. “Get tag numbers, get a good look at the (criminal’s) face, hair, eye color, tattoos — anything like that will benefit police tremendously.”
A superhero to police would be a person who gives officers a statement and is willing to show up in court later to testify, they said.
But Dark Guardian says cops on the beat aren’t always averse to a small assist.
Routing bad guys with a bullhorn and lights
He said officers didn’t do a thing when he and a dozen others entered New York City’s Washington Square in 2009 with a bullhorn, lights and cameras to confront around 20 drug dealers. One of the bad guys briefly flashed a gun, he said, but the commotion quickly caused the crooks to melt away into the night.
“The cockroaches wanted to get away from their light,” said Peter Tangen, a professional photographer who has followed the crusaders on their rounds for years and whose pictures and interviews are featured on a super hero websitehe runs.
But tense confrontations or physical altercations are “a rare exception” to the costumed crusader rule, said Tangen, who also served as consulting producer on the full-length documentary film “Superheroes,” which debuted last month at the Slamdance film festival in Park City, Utah, and may be released at theaters nationally in July.
“Superheroes” film director Michael Barnett and producer Theodore James followed superheroes on patrol for more than a year.
Barnett said the two thought they might find “eccentric people in costumes” when they started. Instead, they found “courageous, altruistic people,” some with little resources of their own, trying to do something, he said.
“A lot of people feel powerless during stressful times,” Barnett said. “Any little help inspires. That is our film.”
Small victories over evil
Often that help means small victories over evil.
“I don’t go out there with the purpose of beating up bad guys,” said Zetaman, a Portland, Ore., resident who dons a blue-and-black ensemble with a big “Z” emblazoned on his chest before heading out on patrols, which usually entail handing out food, blankets and other supplies to the city’s homeless. “I do stuff that anyone can do.”
The Vigilante Spider of San Diego told the Real Life Super Hero Project that despite his name he relies on bright lights and the element of surprise to stop violence and the spread of graffiti.
It’s difficult to broadly characterize those who disguise themselves to do good. They come from all walks of life, inhabit all sorts of body types and range in age from 6 to over 60. Many share a love of comic books and superhero movies, and a passion for bringing superhero virtues of trustworthiness, bravery, and selflessness to the real world. Some are willing to reveal their real identities, and some agreed to talk if they were identified only by their aliases.

Among them:

• Dark Guardian, otherwise known as Chris Pollak, 26, a martial arts instructor who lives on Staten Island. He said a horrific crime and apathetic bystanders inspired him to don his superhero duds.

The crime was the notorious case of Kitty Genovese, 28, who was sexually assaulted and murdered in a 35-minute attack as she tried to walk from her car to her apartment at 3 a.m., March 13, 1964, in Kew Gardens, Queens, New York. Media accounts, later disputed, said that none of the 38 witnesses to the assault did anything to stop it or called police.

“There’s a hero in everybody,” said Dark Guardian, aka Chris Pollak of Staten Island, N.Y.

Though many members of the Real Life Superheroes were born long after the incident, they are well aware of the story and some, like Mr. Xtreme in San Diego, commemorate the case on their costumes.
“We do not want to let things like that repeat itself,” Dark Guardian said.

• Zetaman (32-year-old Illya King, to his family and friends), who created the Real Life Superheroes website, said his role springs from his desire to make a difference in his community. He described how he and other costumed crusaders recently helped one family of eight they found living on Portland streets.

“They just needed to coast through until the dad got his disability check,” he said, explaining that the family was afraid they’d be split up if they went to a homeless shelter.  “We gave them jackets and backpacks so they could hang out at the airport, looking like they were waiting for a flight.”
The family made it through the rough patch and is now living in an apartment, he said.
In an example of his charitable deeds, Zetaman is putting together the Heroic 100 PDX team to participate in a March of Dimes fundraising walkathon called “March for Babies” on April 30 in Portland, Ore

• D.C.’s Guardian, who describes himself as a “Mayberry kind of guy,” referring to the bucolic North Carolina setting of “The Andy Griffith Show” of the 1960s.

D.C.’s Guardian, who does not reveal his real identity but acknowledged he works in national defense, said he brings real life and military experience to his role, which he considers part educational and part inspirational. He can often be found on the Washington, D.C., Mall talking to tourists about the Constitution when he’s not working on behalf of various charities.
As for fighting crime, D.C.’s Guardian said he doesn’t go “looking to get into a situation,”  He has, however, called 911 and talked people out of pushing each other around on occasion.

Soundwave, 10, and Jetstorm, 6, are among the youngest real Life Superheroes fighting apathy and trying to inspire people to help others.

• 10-year-old Soundwave and her 6-year-old brother Jetstorm, the youngest superheroes msnbc.com found and who live in the Washington, D.C. area.

Soundwave told msnbc.com that they were inspired by adult crusader D.C.’s Guardian.
“I saw that he was helping people and I wanted to do the same,” said Soundwave, who has been dressing up and doing good deeds for three years.
She also admits to a fondness for the DC Comics character Hawkgirl, who she says shows women can be strong and take care of themselves.
Soundwave raises money for Samaritan’s Purse, a Christian organization providing food and medicine through emergency relief and community development programs.
“Even a penny or two at a time can make a big difference,” she said.
Among other things, she has participated in a cystic fibrosis minimarathon, distributed food to war veterans and handed out information about blood drives, sometimes serving alongside her brother. Soundwave said she considers performing such public service a privilege.
“To be an American means to be free and do whatever you can to help people,” she said.

• Thanatos, 62, probably the oldest member of the Real Life Superheroes. The Vancouver, Canada, resident’s heroic acts mainly involve helping the homeless on gritty Hastings Street.

Thanatos, who is married and has a daughter, says he’s been patrolling for three years, inspired by his youthful readings of comic books — the Green Lantern and Batman were particular favorites — and pulp fiction. He posts videos of his patrols on his YouTube channel.
“I’ve wanted to be a superhero all my life,” he said. “I grew up with comic books, they teach morals, ethics, and the good guy always wins.”

Thanatos says the homeless he encounters in Vancouver, Canada, ‘remember me.’

He said he chose the name Thanatos — a minor figure in Greek mythology who personified “death” — as his persona because street people told him that was all they had to look forward to. His costume consists of a skull mask, gloves, black overcoat, black shirt and pants, crossbones tie, and different forms of body armor, including a bulletproof and stab-resistant vest.
“Some can’t remember their social worker or doctors, but they remember me,” he said. “The costume gets the attention of the homeless and lets them know somebody cares.”
While the Real Life Superheroes acknowledge that, even collectively, their do-gooding can barely scratch the surface when it comes to making a difference in their respective cities, many say they put on their suits in hopes of creating a multiplier effect.
For example, Thanatos told the story of an immigrant couple who ended up on the streets and were afraid to talk to strangers. But when he approached them in his outlandish death-head costume, he said, they were happy to talk.
He then wrote about the encounter in his MySpace blog, which was read by someone who sought them out and gave them jobs.
“It wasn’t just something I did, it was a combination,” he said. “I want to inspire people to say ‘I can do something too.'”
Click here to follow Jim Gold on Facebook.
© 2011 msnbc.com Reprints

By Thanatos
I’ve been putting a proper evidence kit together for some time now.  it’s taken some time to assemble everything together.  I’ve used online catalogs and additional references to put together a professional style kit.  this is what I have so far.



got things a little bit at a time.  the case for Christmas

open

contents of left section

contents of center section

right section

instruments
and a complete list of things so far
inside pocket-lid-
2x 2GB cards       ruler/scale (x2)
toothbrush         touch light
marker pen         plastic locking forceps
flex lite          steel spring forceps
bic lighter        plastic spring forceps
scalpel blades     6 ft tape measure
left compartment-
2x DVD/CD blanks
tags
envelopes-6×8
plastic bags 8 1/2 x 11
plastic bags 4 x 6
plastic bags 2 x 4
sponge head swabs
tongue depressors
sterile syringe
latex and nitril gloves
q-tip swabs
center comartment-
digital camera
paper bags 4 x 8
safety glasses
pure water in single use dispenser
aron-alpha glue
tape recorder
60 min cassette
basket-
2 inch tape
1 inch tape
1/2 inch tape
3 x 6 index cards-blank
plastic bags 2×2
right compartment-
handwash
sheet magnifier
assorted size magnifiers (x3)
lighted magnifier
super scissors
plastic locking forceps (x2)
eye lupe- 6x
pen light
pressure scissors
utility knife
chemical hazard gloves
instrument pack-
steel spring forceps
spatula
large tissue scissors
scalpal handle
fine tip scissors
fine side cutters
locking forcep
locking forcep
ultimate scissors
small locking forceps
I still have test kits for drugs ans a few other things to come along yet.  it’s a work in progress.

Superheroes – Directed by Michael Barnett and produced by Theodore James.
Superheroes is a journey inside the world of real-life caped crusaders. From all over America, these everyday citizens don masks, homemade costumes and elaborate utility belts in an attempt to bring justice to evildoers everywhere.
This documentary is the definitive film on real life superheroes.  It features Mr. Extreme, Superhero, Master Legend, Zetaman, Z, Zimmer, Black Monday Society, Dark Guardian, Thanatos  and many more.
Superheroes will premiere January at Slamdance film festival.
Like it on Facebook – http://www.facebook.com/pages/Superheroes-Documentary/125209937542451

Originally posted: http://www1.folha.uol.com.br/folhateen/805203-herois-sem-superpoderes-saem-as-ruas-nas-horas-vagas-para-fazer-o-bem.shtml
DIOGO BERCITO
SAO PAULO
À noite, Thanatos, 62, faz ronda nas ruas de Vancouver, no Canadá, vestindo sobretudo preto, chapéu e máscara verde cadavérica.
“Procuro mendigos à espera da morte e lhes dou mais um dia de vida”, diz à Folha por telefone, cheio de mistérios e sem revelar a verdadeira identidade.
Ele escolheu o codinome Thanatos há três anos, inspirado no deus grego da morte. Assim, entrou para a turma dos super-heróis da vida real, um grupo que se organizou nos EUA há dez anos.
Esses mascarados não têm poderes excepcionais, mas vão às ruas para ajudar quem precisa. Thanatos, por exemplo, distribui itens como garrafas de água e comida a moradores de rua.
A tarefa dele não envolve lutar com vilões maquiavélicos, o que não quer dizer que seja moleza. Ou seguro.
“Um traficante colocou uma arma no meu estômago”, conta Thanatos. “Eu estava com colete à prova de balas, então o desarmei.”
O nova-iorquino Dark Guardian, 26, passou por situações parecidas. Professor de artes marciais, ele patrulha a cidade, eventualmente lutando com gangues. “Sim, pode ficar bem perigoso.”
Como todo super-herói que se preze, Dark Guardian tem uma história decorada sobre sua origem. “Nunca tive modelos positivos, meu pai abusou de mim”, conta. “Quis ser um exemplo para os outros, como os personagens dos quadrinhos.”

Vigilantes como Thanatos e Dark Guardian ganharam destaque no ano passado, quando o fotógrafo norte-americano Peter Tangen leu sobre eles em uma revista.
Acostumado a fotografar para pôsteres de filmes como “Homem-Aranha” e “Batman Begins”, Peter ficou surpreso ao saber que havia, fora do cinema, quem se vestisse para ajudar os outros.
“A necessidade do mundo por super-heróis motivou tanto os filmes quanto essas pessoas”, sugere Peter, que montou o Real Life Super Hero Project (bit.ly/rlshero), com fotos desses vigilantes.
O nova-iorquino Life, 25, pensa de maneira afim. “São tempos difíceis, e as pessoas precisam de modelos.”
A explicação para a necessidade de fazer isso vestindo máscaras varia de um herói para o outro. “Se eu não me fantasiasse, não me sentiria tão poderoso”, afirma Life.
Já Nyx, 20, não se vê como uma personagem. A garota é heroica desde os 16 anos e diz que o uniforme é “uma extensão” de si mesma.
No Brasil, com exceção do Ciclista Prateado, o movimento não vingou.
“O super-herói é um empreendedor, um indivíduo. Essa é a história dos EUA, nosso sonho”, teoriza Life.
DENUNCIAR CRIMES E COBRAR O GOVERNO É MAIS PRODUTIVO
Enquanto os super-heróis da vida real agem como voluntários de boas ações, tudo bem. Mas combate ao crime ou ao tráfico é complicado.
“Há o risco de que se torne um “vigilantismo”, um instrumento de vingança”, afirma Renato Lima, secretário-geral do Fórum Brasileiro de Segurança Pública.
A segurança pública, aliás, é uma responsabilidade do Estado, alerta Lima. Assim como o uso da força.
“Quem é que vai definir o que é certo e o que é errado? Os heróis?”, pergunta-se.
Segundo Lima, a população pode ajudar de outras maneiras -por exemplo, cobrar seus governantes.
PERFIS HEROICOS

Nyx
20 anos
“Tenho compulsão por moradores de rua.
Perdi meus pais quando pequena, então
quis melhorar a vida dos outros”

Thanatos
62 anos
“A razão pela qual me fantasio é que
o que estou fazendo é mais importante
do que quem eu sou na vida real”

Dark Guardian
26 anos
“A melhor parte de NY é que você pode
andar fantasiado na rua e isso não vai
ter nada de excepcional”

Life
25 anos
“Super-heróis começaram nos quadrinhos,
viraram filmes e então videogames. Tornarem-se
reais é sua evolução natural”
English Translation
At night, Thanatos, 62, is round the streets of Vancouver, Canada, wearing black coat, hat and green mask mortis.
“Looking beggars waiting to die and give them one more day of life,” the Folha by phone, full of mysteries and without revealing their true identity.
He chose the codename Thanatos three years ago, inspired by the Greek god of death. So, he joined the gang of superheroes in real life, a group that was organized in the U.S. ten years ago.
These exceptional powers are not masked, but will hit the streets to help those in need. Thanatos, for example, distributes items such as bottled water and food to homeless people.
His task does not involve Machiavellian villains to fight, which does not mean it’s easy. Or safe.
“A dealer put a gun in my stomach,” said Thanatos. “I was bulletproof vest, then disarmed.”
The New Yorker Dark Guardian, 26, went through similar situations. Martial arts teacher, he patrols the city, where fighting with gangs. “Yes, it can be really dangerous.”
Like any superhero worth its salt, Dark Guardian has a decorated history of its origin. “I never had positive role models, my father abused me,” he says. “I wanted to be an example to others, like the characters in comics.”
Peter Tangen
The real-life superpowered, photographed by Peter Tangen
Vigilantes as Thanatos Dark Guardian and gained prominence last year when the American photographer Peter Tangen read about them in a magazine.
Accustomed to shooting the movie posters like “Spider-Man” and “Batman Begins,” Peter was surprised to learn that there was, outside the cinema, who were dressed to help others.
“The world’s need for superhero movies as much motivated these people,” suggests Peter, who rode Real Life Super Hero Project (bit.ly / rlshero) with pictures of these vigilantes.
The New York Life, 25, thinks so order. “These are difficult times, and people need role models.”
The explanation for the need to do this wearing masks varies from one hero to another. “If I do not fantasize, I do not feel so powerful,” says Life.
Already Nyx, 20, is not seen as a character. The girl is 16 years since the heroic and says the uniform is “an extension” of itself.
In Brazil, except for Silver Rider, the movement lost steam.
“The superhero is an entrepreneur, an individual. This is the story of the U.S., our dream,” theorizes Life.
Editorial / Art Folhapress
–
REPORTING CRIMES AND CHARGE THE GOVERNMENT IS MORE PRODUCTIVE
While the super-heroes in real life act as voluntary good deeds, fine. But fighting crime or the traffic is complicated.
“There is a risk that it becomes a” vigilantism, “an instrument of revenge,” said Renato Lima, general secretary of the Brazilian Forum of Public Security.
Public safety, incidentally, is a state responsibility, warns Lee. As the use of force.
“Who will define what is right and what is wrong?” Heroes? “He asks himself.
According to Lima, the public can help in other ways-for example, charge their rulers.
–
Heroic profiles

NYX
20 years
“I’m craving homeless.
I lost my parents when small, then
wanted to improve the lives of others ”

THANATOS
62 years
“The reason is that I fantasize
what I’m doing is more important
that’s who I am in real life ”

DARK GUARDIAN
26 years
“The best part about NY is that you can
floor dressed in the street and it will not
having nothing exceptional ”

LIFE
25 years
“Superheroes began in comics,
then turned into movies and video games. Become
its natural evolution is real

Originally posted: http://www.theprovince.com/life/Costumed+superhero+offers+helping+hand+Downtown+Eastside/3353929/story.html?id=3353929#ixzz0wLjX3OB1
By Laura

Baziuk, The Province
He wears a green-faced mask, a black hat and black eye makeup.
A black tie with skulls and crossbones, and patches on his black shirt sleeves.
A heavy artillery sits around his waist, with a flashlight, multi-tool and evidence-gathering kit.
He is Thanatos, a real-life superhero who helps out the less fortunate of the Downtown Eastside.
“I represent death,” the 62-year-old says, sitting in a shaded area of the Mountain View Cemetery. “I give life to the dying.”
The man who calls himself Thanatos, who was born in California and trained for seven years in the army, has spent the last 14 years helping the homeless around downtown Vancouver, giving them food and water, and talking with them.
About three and a half years ago, he was speaking with a police officer overseeing a meth addict was being taken to hospital.
Thanatos said the officer quipped, “These people have nothing to look forward to but death.”
“That stung. That hurt me,” Thanatos recalls. “I said, ‘Then death better start looking out for them.’”
So he created a costume and character, Thanatos, representing the Greek god of death, and has been handing out packets with a plastic sheet, a blanket, clean socks, bread and water to the homeless ever since.
He pays for the kits himself, costing about $40-$50 for 10 kits, and gives them out about once a month.
“It just seems to be the thing to do,” he says.
The homeless aren’t afraid of him, he says. “They’re great. They accept me.”
He modelled his alter ego after comic book heroes like the Green Hornet, and is part of a 150-strong group of fellow costumed do-gooders around North America, called the Real-Life Superhero Project.
Just like him, they dress up in goofy outfits and spread positive messages around their neighbourhood.
“I’ve done what I did all my life,” Thanatos says about his work with the city’s homeless. “Nobody ever cared about what was going on around me.”
But now that he walks the streets dressed as a made-up comic-book hero, the public, and the media, have taken notice of the people he helps.
“What I’m doing is much more important than who I am,” says Thanatos. “It doesn’t take a lot to make a difference in the world.”
And he says the police largely leave him alone.
But the main reason Thanatos sports his eye-catching getup is to inspire others to do the same good deeds in the community.
“It’s about self-empowerment,” he says.
Other superheros in Canada have followed suit after hearing about his efforts, he says, such as Polar Man in Nunavut, the Maple Defender in Toronto, and Anonyman of Saskatoon.
“It’s like a ripple effect,” he says, likely with a smile underneath his mask.
[email protected]
twitter.com/laurabaziuk

Originally posted: http://www.comicbookresources.com/?page=article&id=27754

By Shaun Manning, Staff Writer
With heroic names like Life, KnightVigil, the Crimson Fist and Thanatos, the subjects of photographer Peter Tangen’s latest project might sound like new and exciting additions to the Justice League, or members of a new superteam spinning out of the Avengers. In fact, these and other heroes are members of a community that patrol the streets of New York City, Atlanta and Vancouver to give aid to the homeless, mentor at-risk youth and perform other charitable deeds – in real life. “The Real Life Superhero Project” is a collection of portraits, videos and movie-style posters created by Tangen and a team of volunteers, designed to celebrate the men and women who, for several distinct reasons and to many different effects, put on a costume in an effort to improve lives in their communities.
Tangen is a Los Angeles-based photographer whose primary business is shooting promotional materials including movie posters for films and television shows with the iconic posters of “Spider-Man” and “Batman Begins” among his works. The artist, who discovered the real-life superhero culture on the internet as he was looking for a project to undertake independently, told CBR that the culture has existed perhaps for decades but is experiencing a reemergence now. Most of the heroes do not know each other personally, but there is an active online community.
“Because I’ve done so much work within the genre of superhero movies, the idea that these people exist really appealed to me,” Tangen said. “I began to do a lot of research and discovered there’s quite a large community of people who are referred to by the media as ‘real-life superheroes.’ I decided I wanted to do a photographic essay on them.

“I went to Vancouver to do a photo shoot for a client, and I reached out to a man up there who goes by the name Thanatos,” Tangen continued. “At the time, he was a 61-year-old man in Vancouver and his short story is that he was going out at three o’clock in the morning in civilian clothes, just giving food and supplies to people who were living on the streets and not getting into the shelter system. He felt, after doing it for three years, that he wasn’t being especially effective. The people he was helping wouldn’t recognize him from previous visits and he wasn’t really creating any sense of awareness of his efforts.” Awareness, Tangen explained, was not for Thanatos’s benefit but to create a sense of continuity, to give the idea that a certain person cares rather than simply being one of a succession of anonymous, one-time givers who might never think of the beneficiary again.
“He wanted to take it a step further. The local police department had indicated to him that the only thing that people on the streets of Vancouver have to look forward to is death. So he decided to take on the identity of Thanatos, which in mythology is the god of death,” Tangen said. “What he’s discovered since deciding to do this a year and a half or so ago, maybe two years now, is that the people he helps remember him. I’ve been on the streets with him at three o’clock in the morning, doing a homeless outreach, and I’ve seen people that have never met him before and I’ve seen people he’s helped for quite some time. There is a different reaction because of the appearance than you would have if he were in civilian clothes.
“He’s effectively marketing good deeds. For people who are living on the streets, who have no real community besides those on the streets with them, he creates in them a sense of belonging, that there’s someone looking out for them, which is impossible to do in civilian clothes because you’re not easy to remember,” the photographer continued. “So the work he does up there is really quite extraordinary and he does it all self-funded. And he gives people his business card when he meets them – which is, you know, a business card for Thanatos and on the back of it, it says ‘Friend.’ I’ve learned that what he’s trying to do is just make a difference in the world in a small way, but the effect he has is that can identify with them in a way that is much more impactful for someone on the streets that he may be helping. Because there’s one person helping them on a regular basis, instead of the anonymity of passing strangers, what he’s done is remembered.”
Thanatos was the first to be photographed, and his stature within the real-life superhero community made him an effective advocate for Tangen’s project, which the photographer hopes will be a departure from the way the community is normally presented in the media. “In my research, I learned that stories about these people are being treated in three ways by the media: the first and most common reaction the media has is to exploit them or mock them or do a light-hearted puff piece that isn’t in any way serving them,” Tangen told CBR. “Second to that, and less common, is an investigative journalism approach, just looking at what these people are and what they do. It’s a little bit more intellectual, but it is still without opinion: this is what they do, you make up your mind whether they’re crazy or not. It also doesn’t really react to the effects that they have on the world around them.
“On rare occasions, people in the media have discovered this culture of people and understood that in fact the stories they tell and what they stand for can actually be very inspirational. Because, in effect what they stand for is the idea that one person can make a difference. And I can tell you countless stories of how that’s actually the case,” Tangen continued. “I decided that I wanted to tell a story that was inspirational. Once you get past the idea of their costumes and you actually see what they’re doing, you realize that have actual real power that we all share. So I began to assemble my little plan with a group of collaborators. A couple weeks after I photographed Thanatos, we had 19 people from all over the country come into LA for a one-day photo shoot. It was quite an extraordinary event.”
Tangen noted that the day of the photo shoot was a significant even within the community itself, as it was the first time many of the heroes had met each other. “These people who came from across the land had the opportunity to meet people they’d been in communication with for several years but had never actually met. They had the chance to get together and talk about what they do.”
About thirty volunteers from the photography and film industries, using donated equipment and services, came together to work on the photo shoot. “Everybody that was there, was there because they had heard about these people and were inspired by the story. The impression people had at the end of the day was that it had been an amazing event,” Tangen said. “People said they felt they were literally better people for having been there and experiencing that event. If we had been hired to do what we did that day, not including the cost of actually flying people in, the photo shoot itself would have cost easily $100,000 to execute, but we did it for next to nothing because of the volunteer basis of everybody that was there.”
Tangen said the posters were designed to show the heroes “not how they see themselves, but how the people they help see them,” and were created in the style of movie teaser or character posters to portray a series of individual stories. “Generally speaking, it’s a rule of thumb that a really good movie poster tells a story. It may not be the story of the movie from start to finish, but it tells a story enough that it piques the interest of the viewer and tells enough about what the movie is that they understand what they’re going to go see,” Tangen explained. “The content of the movie poster is typically three different elements: one is the visuals, whether photographic or illustrative or a combination of those things. Another is the copy that might be tied to the poster. And then the third is just the title of the movie. Each of those elements should add to the overall narrative of what the poster is. So if you have a Tom Cruise movie about a secret agent and it takes place during wartime, you don’t want to tell all of that in a line of copy. You want to have the visuals and the title of the movie add up to that information.”
Taking the example of the “Life” poster, the first to appear on his Real Life Super Hero Project website, Tangen walked through the thought process. “Since he’s so much in the street, he rarely goes anywhere without granola bars or something that would enable him to help someone who’s helpless or needy, we decided that we would have him reaching into a group of people that could use his help. It’s a very visual tool to get that message across. And because he’s so much in the streets of New York City, we chose a New York City location for the background image. Since he was raised a Hasidic Jew, we decided we were going to use the Hebrew text for the word ‘chai,’ which is translated into ‘life,’ for what would be in other posters the title of the movie. Then for the copy line, we further express the idea that, where people make an effort to help others, there’s a further opportunity for those who are being helped to have hope,” Tangen said. “Those elements together talk about him, where he is, what he stands for and the optimism that he inspires in people that he serves.”
In addition to the movie-style posters, Tangen and his crew created a series of other photographic pieces. “We did a couple of group shots that are very definitely an homage to Alex Ross; straight up, out of the box, we’re not ripping him off – we’re honoring him. The other thing done is [we created] a series of portraits, which you can see a few of on the website,” he said. “As much as the posters are meant to show them as they are seen by the people they help, the collection of portraits was shot very much in the same style, with the intention of having the viewer look past the mask, perhaps identify with the real human being behind the outfit and and hopefully discover themselves the relatability of that person as a regular person and find in themselves a hero they may have not known existed.”